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Role: Mira – A Roman-Indian warrior who serves as a bodyguard and secret lover to a Roman boy-king. Notable Moment: The "sword and sheets" scene where she protects a sleeping emperor while dressed in metallic armor. The implication is that she is a "mistress of the blade" and the bed.

Role: Dalbir Kaur (real-life sister of a prisoner) Clarification: This film has no mistress content. It is included to show the range of Rai’s non-romantic roles. Her most powerful recent performances are maternal or filial, not sexual. Role: Mira – A Roman-Indian warrior who serves

Role: Parvati (Paro) – Wait. This is the twist. In Devdas, Aishwarya plays the wife who becomes a zamindar’s wife, while Madhuri Dixit plays the courtesan. However, Aishwarya’s Paro has an affair before marriage. The film’s most notable "mistress-coded" moment happens not in a bedroom, but in a field of mustard flowers. Role: Dalbir Kaur (real-life sister of a prisoner)

Notable Movie Moment: The "Dola Re Dola" Gaze While the song is a dance-off between Paro and Chandramukhi (the courtesan), the subtext is pure jealousy. Paro has been rejected by Devdas, who now lives with Chandramukhi. When the two women dance, Aishwarya’s eyes do not smile. They burn. It is the look of a woman who knows she is legally married to another, but emotionally still the mistress of Devdas’s memory. This moment established Rai’s ability to play sexual tension without physical contact. Role: Parvati (Paro) – Wait

Role: Umrao Jaan A courtesan in 19th-century Lucknow is, by social definition, a mistress to multiple patrons. Rai took on the legendary role previously played by Rekha. While the film underperformed, her portrayal of Umrao is heartbreakingly stoic. She is a poetess who longs for love but is passed from one wealthy man to another. Her notable moment is not a song, but the final scene where she realizes her true love has abandoned her—she delivers the line, "Yeh kya jagah hai doston... main kya cheez hoon?" (What place is this, friends... what am I?), solidifying her status as a tragic paramour.