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Linya Group Co., LTD  Linya Group Ltd was established in November 1996.  Prior to this our aluminium extrusion tubing company has traded since 1992.  With the support of government policy, both national and local, Linya has worked hard to create a diversified group spanning investment, manufacturing, property and energy development sectors.

The group turns over  million USD and exports    million USD with capital assets of million USD.  The manufacturing division covers an area of some 650 acres with a staff of over 5,000.

 Linya is a leading business in Linhai city and is proud to promote local economic development.  This has been recognised by the numerous awards we have achieved, including “Best private Enterprise” in Zhejiang province.

1、 Manufacturing
      

Linya aluminium extrusion tubing company is the most advanced manufacturing facility of aluminum alloy in eastern China. The factory covers an area of some 58,000 square meters with capital assets of 1million USD and has 16 aluminums profile extrusion lines. 


The factory has equipment for anodic oxidation, electrophoresis paint and electrostatic spraying. Annual production capacity is 2 million tons. We have passed the ISO9001 quality system and have been recognized as the national nonferrous metal industry's most large-scale enterprise through the national metrology authentication unit.  Our aluminum is used in construction, decoration and consumer products. The aluminum product is regarded as "the Chinese famous brand".


Zhejiang Linya craftwork Company Ltd covers an area of more than 200, 000 square meters, with a total investment of 2million USD.  Our main products are outdoor leisure furniture, camping products, gazebos and sunshades. Every year, Linya exports more than 120 million dollars to Europe, America and Japan. 


In July 2000 Linya obtained the import-export right. In October 2001 we obtained ISO9000 (2000) quality system authentication and related GS, CE certification.


 

Linya continually increases industrial infrastructure investment and enhances vertical integration to control quality and costs.  In recent years the company invested ?million USD in industrial projects and invests heavily in technical renovation. This year the group invested ?USD in the updating of capital equipment to enable leaner and higher quality manufacturing and drive our competitive advantage.

2、Hydro-Electric Energy development
As part of Chinas’ national strategy to implement power transmission from west to east Linya have completed a hydropower scheme in Sichuan, Yunnan.  This forms part of our group diversification strategy and the dam has a capacity of 0.5 Million Kilowatts.  These projects give Linya Group long term revenue streams and strengthen our cashflow.

3、Propery and Investment business

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Historically, the entertainment industry suffered from a myopic obsession with youth. A 2019 San Diego State University study on the top 100 grossing films found that only 11% of protagonists were women over 45. When they did appear, mature women were often stripped of their sexuality, ambition, and agency.

The underlying message was toxic: aging was a condition to be hidden, airbrushed, or surgically altered. Actresses like Meryl Streep, Glenn Close, and Judi Dench were the exceptions—venerated, but often relegated to "prestige" period pieces or supporting roles in ensembles.

The change began quietly, then roared. It was fueled by a perfect storm of factors: the rise of streaming platforms demanding diverse content; the #MeToo and Time’s Up movements challenging systemic sexism; and, most critically, an audience of mature women themselves demanding stories that reflected their reality—their divorces, their second acts, their unapologetic desires, and their complicated friendships.

The shift isn't just artistic; it's financial. A 2022 study by the Annenberg Inclusion Initiative found that films with female leads over 45 had a higher median return on investment than those with male leads under 35. busty milfs gallery

Why? Because mature women buy tickets. They bring their friends, their daughters, and their husbands. Shows like Grace and Frankie (starring Lily Tomlin and Jane Fonda—81 and 84 at the time of the finale) ran for seven seasons because it served an underserved market: women over 60 who never saw themselves as vibrant, sexual, and argumentative on screen.

Studios have finally realized that erasing older women from media is not only cruel but economically stupid. Mature audiences have disposable income. They want to see their lives reflected.

For all the progress, the battle is not won. Mature women are still vastly underrepresented in action franchises and leading romantic roles opposite men their own age (Hollywood still prefers to pair 60-year-old male leads with 40-year-old actresses). There is also a diversity gap: the renaissance has largely benefited white, Western actresses. Black, Latina, Asian, and Indigenous actresses over 50—like Viola Davis (58), Angela Bassett (65), and Michelle Yeoh (61)—are leading the charge, but studio greenlights for their original projects remain frustratingly rare. The underlying message was toxic: aging was a

We need more mature women in horror, in sci-fi, in Westerns, and in buddy comedies. We need the "female John Wick" and the "female Indiana Jones" to be in their 60s.

Today, mature women are no longer playing "the mother of the hero." They are the hero. Let’s look at the archetypes they have shattered.

The Uninhibited Lover: Good Luck to You, Leo Grande (2022) Emma Thompson delivered a tour-de-force as Nancy Stokes, a retired religious education teacher who hires a young sex worker to experience physical pleasure for the first time. The film is revolutionary not for its nudity, but for its radical tenderness. Thompson, at 63, bared her body and soul, dismantling the myth that desire and sexual curiosity expire with menopause. She transformed the "mature woman" from a celibate figure into a student of her own joy. It was fueled by a perfect storm of

The Agent of Chaos: Mare of Easttown (2021) Kate Winslet, at 45, played a grizzled Pennsylvania detective—a role written with the raw, unglamorous specificity usually reserved for male anti-heroes. Mare Sheehan is exhausted, overweight in a realistic way, short-tempered, and deeply flawed. She is not "likable" in the traditional female sense. Winslet refused to have her wrinkles airbrushed out of the poster. The result? She became a cultural icon, proving that gritty, melancholic complexity is catnip to audiences.

The Ferocious Protector: Kill (2023-2024) On the other end of the spectrum, think of the action genre. The era of the male action hero is being challenged by women like Jennifer Garner (in The Last Thing He Told Me) and Michelle Yeoh. While Yeoh won an Oscar for Everything Everywhere All at Once at 60, she simultaneously starred in American Born Chinese and Wicked, proving that a mature woman can be a martial arts master, a multiverse savior, and a vulnerable mother all in one breath.

The Unlikely Queen: The Crown (Seasons 5-6) Imelda Staunton’s portrayal of Queen Elizabeth II in her twilight years eschewed grandeur for a quiet, devastating study of obsolescence and duty. Older women are often portrayed as either wicked or saintly; Staunton’s Queen was neither. She was stubborn, sad, occasionally petty, and profoundly resilient. The audience stayed for all of it.

 In 1999, the group invested 8 million yuan in Jiuzhaigou Valley Sichuan province to build the four-star “Gesang Hotel”. The Building area is 30,000 square meters and has 310 rooms.  Facilities include a Chinese and Western restaurant, recreation and performance hall, sauna, tea room and conference room.       

In 2008, the group established Linya loan company Ltd. with registered capital of 20 million USD.  The main function is to support the cash flow of local small and medium sized companies.  This company continues to offer efficient service to local companies and works to enhance the areas economic prosperity.

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Address:Dongcheng County,Linhai City,Zhejiang Province,China.
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