Da Gifto - Grateful Ep Vol. 2 May 2026

(If you want, I can draft full lyrics for each track.)

Grateful EP Vol. 2 is a mature, beautifully crafted project. It cements Da Gifto not just as a producer/DJ, but as a genuine artist with a clear vision. It is a soothing, joyful listen that reminds you to appreciate the small wins in life

Da Gifto – Grateful EP Vol. 2: A Soulful Evolution in Deep House

South African producer Da Gifto (born Ndou Livhuwani) continues to solidify his presence in the Deep House and Amapiano scenes with the release of Grateful EP Vol. 2. Released on June 9, 2023, via 5243820 Records DK, this eight-track collection serves as a sophisticated follow-up to his 2021 debut in the Grateful series. The Sonic Identity of Grateful Vol. 2

Clocking in at approximately 65 minutes, the EP is a masterclass in immersive soundscapes. Da Gifto, hailing from Tswinga Village in Limpopo, leverages his background in a musical family to blend deep basslines with melodic keys, a signature style that has become his hallmark.

While his earlier work often leaned into the rising energy of Amapiano, Grateful Vol. 2 leans heavily into Soulful Deep House. The tracks are characterized by their length—most exceeding seven minutes—allowing for patient, emotive builds that cater to both dedicated listeners and club dancefloors. Key Collaborations and Tracklist

The EP thrives on its diverse collaborations, featuring a roster of talented vocalists and instrumentalists: Da Gifto - Grateful EP Vol. 2

"Sul'inyembezi" (feat. Bikie): An emotive lead track featuring hauntingly beautiful vocals from frequent collaborator Bikie.

"Who Stole My Sax" (feat. Gundo Sax): A standout instrumental-driven piece that highlights the organic, jazzy textures Da Gifto incorporates into his digital productions.

"Good For You" (feat. Angelica): A nearly 10-minute odyssey that exemplifies the EP's soulful depth, also provided as an instrumental for DJs.

"Ungokhethiweyo" (feat. Brandon Dhludhlu): Featuring the vocals of Brandon Dhludhlu, with whom Da Gifto later released the successful Love EP series. Full Tracklist: Sul'inyembezi (feat. Bikie) – 7:47 Who Stole My Sax (feat. Gundo Sax) – 7:25 Pixels (feat. Mr Groove SA) – 8:24 Good For You (feat. Angelica) – 9:26 Andikhoni (feat. Zelda Armando) – 7:59 Ungokhethiweyo (feat. Brandon Dhludhlu) – 6:42 Good For You (Instrumental) – 9:25 Andikhoni (Instrumental) – 7:59 Artistic Growth and Impact

Since starting his production journey in 2019 while studying at the University of Venda, Da Gifto has rapidly ascended the ranks of the South African music industry. Grateful Vol. 2 marks a pivotal moment in his discography, bridging the gap between his early independent releases and more recent acclaimed projects like Shadow & Light (2024) and The Weight Of Silence (2025).

The EP received a warm reception upon its release, with fans on Facebook describing the work as "impressive" and a significant contribution to the "Deep in Africa" sound. (If you want, I can draft full lyrics for each track

You can find Grateful EP Vol. 2 on major streaming platforms including Spotify, Apple Music, and Deezer.

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One of the standout features of Grateful EP Vol. 2 is the sonic palette. Da Gifto refuses to be boxed into a corner. The production leans heavily into Afro-pop rhythms—log drums, bright synths, and percussive grooves that make the tracks sonically pleasing. However, he layers these secular beats with distinct gospel undertones.

Tracks on the project swing effortlessly between mid-tempo vibes perfect for a Sunday afternoon drive and slower, more intimate moments of worship. It is this versatility that makes the EP accessible to a wide audience. You don’t have to be strictly a gospel fan to appreciate the musicianship; you just need an appreciation for good soul music.

Unlike the celebratory tone one might expect from a title track, "Grateful" is somber and reflective. Acoustic guitar plucks underpin a narrative about losing a childhood friend to street violence the same week Da Gifto signed his first distribution deal. The cognitive dissonance of success and grief is explored masterfully. "Grateful" does not offer easy answers; instead, it sits in the tension of joy and sorrow, forcing the listener to sit there with him.

Whether you are a DJ, a producer, or simply a listener who craves electronic music with a heartbeat, Da Gifto - Grateful EP Vol. 2 is a non-negotiable addition to your library. Grateful EP Vol

For DJs: The EP offers versatility. "Echoes of Yes" provides a reliable, vocal-driven groover for any set between 120-124 BPM. "Scars Like Gold" is a brave tool for left-field or morning-after sets where you want to challenge the floor. "Thank You, Next Sun" is your closer—the track you play when the lights come up and the crowd doesn’t want to leave.

For Listeners: Put your headphones on. Lie down. Let the dynamic range wash over you. In a world of constant notifications and algorithmic anxiety, Grateful EP Vol. 2 is a 28-minute pause button. It reminds you why you fell in love with electronic music: not for the bass drops, but for the spaces in between.

Midway through the EP, Da Gifto takes a sharp left turn. "Scars Like Gold" is the emotional anchor. Clocking in at 7:42, it is the longest and most complex composition here. Gone is the four-on-the-floor security blanket; instead, we get a broken beat rhythm (2-step meets Afro-percussion) wrapped around a melancholic synth pad that fades in and out of tune.

Lyrically (via sampled spoken word), the track addresses failure: "They told me to hide the cracks, but I polished them until they shone." The production mirrors this philosophy. Da Gifto leaves the "mistakes" in the mix—a slightly off-grid hi-hat, a vinyl crackle that doesn’t loop perfectly. It is a brave choice that elevates Vol. 2 from a "good EP" to a "necessary EP." For producers listening, this track is a masterclass in imperfection as aesthetic.

A standout for production value, this track flips a sample of a forgotten 90s Euro-dance synth line into a futuristic bounce anthem. Lyrically, Da Gifto critiques the "midnight deadline" mentality of the music industry—the pressure to achieve fame before it all turns to dust. "Cinderella" is sly, witty, and boasts the EP’s most replayable beat.