Where Volume 2 introduced dotted notes and rests, Volume 3 throws you into the deep end with sixteenth-note syncopations, ties across bar lines, and irregular groupings. The exercises require the drummer to maintain a steady quarter or eighth note on the hi-hat or ride cymbal while the snare and bass drum play counter-rhythms.
Unlike pure snare drum methods (like Wilcoxon or Pratt), Agostini takes standard rudiments (flams, drags, ruffs, paradiddles) and distributes them across the drum set. For example, a paradiddle might be played with the right hand on the ride and left on the snare, while the bass drum accents the first note of each diddle. dante agostini methode de batterie volume 3 pdf
Agostini expects you to keep time with your left foot on the hi-hat (playing on beats 2 and 4 in jazz, or quarters in rock). If you haven't practiced this, isolate the hi-hat foot for 10 minutes daily before touching the snare. Where Volume 2 introduced dotted notes and rests,