Ed Sheeran - No. 6 Collaborations Project.rar May 2026

Not every collaboration sparks. “I Don’t Want Your Money” (with H.E.R.) is a pleasant but forgettable R&B stroll—too slight for either artist’s talent. “Best Part of Me” (with Yebba) , while vocally stunning (Yebba’s bridge is a gut-punch), feels like a ÷ (Divide) outtake, safe and predictable.

The most controversial swing is “Remember the Name” (with Eminem & 50 Cent) . On paper: Ed Sheeran + two rap legends = event. In reality: it’s fine. Sheeran’s sung chorus is serviceable, 50 delivers a competent but uninspired verse, and Eminem does his rapid-fire, multi-syllabic technical exercise—impressive but emotionally detached. It’s a reminder that legacy features don’t automatically yield magic.

Then there’s “South of the Border” (with Camila Cabello & Cardi B) . A Latin-pop-trap crossover about a drug-running romantic fantasy. It’s absurd, catchy, and somehow works. Cardi’s verse is playful and sharp, Cabello brings radio-friendly warmth, and Sheeran leans into his chameleon role. It’s a guilty pleasure that knows exactly what it is. Ed Sheeran - No. 6 Collaborations Project.rar

File Type: Studio Album Artist: Ed Sheeran Release Year: 2019 Genre: Pop, Hip-Hop, R&B

Before he became the stadium-filling juggernaut behind ÷ (Divide), Ed Sheeran was known for his grassroots EP projects. The No. 5 Collaborations Project was a stepping stone in his early career, but No. 6 arrived when he was arguably the biggest pop star on the planet. Released in July 2019, this album serves as a victory lap, a genre experiment, and a testament to Sheeran’s unparalleled ability to cross musical borders. Not every collaboration sparks

For listeners who accuse Sheeran of playing it safe, No. 6 offers genuine curveballs. “Cross Me” (with Chance the Rapper & PnB Rock) features a glitchy, minimalist beat and a Chance verse that overflows with quirky charm. It’s weird, off-kilter, and refreshing.

“Blow” (with Bruno Mars & Chris Stapleton) is the album’s wildest left turn. A hard rock, blues-metal stomp with distorted guitars, primal screams, and a swagger that neither Sheeran nor Mars had shown before. Stapleton’s whiskey-soaked wail is the secret weapon. It’s ridiculous, fun, and proof that Sheeran can step outside his comfort zone when he wants to. The most controversial swing is “Remember the Name”

“Antisocial” (with Travis Scott) is another shape-shifter. Auto-tuned, mumble-adjacent, with a beat that sounds like a collapsing spaceship. Purists hated it. But it showed Sheeran wasn’t afraid to chase 2019’s rap zeitgeist, even if he didn’t fully inhabit it.

Moving away from the purely acoustic loops of his early work or the sweeping ballads of Perfect, No. 6 is production-heavy. It leans heavily into trap beats, glossy pop production, and grime influences. The album is sonically eclectic, shifting seamlessly from the Justin Bieber-assisted tropical vibes of I Don’t Care to the gritty, guitar-driven rap rock of Take Me Back to London with Stormzy.

The premise is right there in the title: this is a project built on partnerships. While Sheeran has always written for others and featured on tracks, this album formalized the "feature" as the central theme. It acts as a curated playlist of Sheeran’s musical interests, bridging the gap between his acoustic singer-songwriter roots and his deep love for hip-hop and R&B.