El Exorcismo De Almansa Comic Pdf Work (RECOMMENDED × 2025)
In the wake of the trial, Spanish independent publisher Ediciones Sombra (fictional name for the original indie publisher, or a placeholder for the real obscure label) sensed an opportunity not for exploitation, but for psychological dissection.
In 2016, the one-shot comic "El Exorcismo de Almansa" was released. It was not a superhero comic. It was a periodismo de investigación gráfico (graphic investigative journalism) piece. The author, a Valencian artist who remains pseudonymous (J. 7734), claimed to have attended the trial and interviewed neighbors.
The comic takes a unique stance: It does not show the demon as a red monster with horns. Instead, the "demon" is drawn as a shadow over the town’s church—suggesting that Almansa itself was the patient zero of a collective madness.
Página 12 – Cuadro 3
Escena: Celda de Lucía. Medianoche.
Viñeta 1 (Plano medio): Lucía atada a una silla de madera. Bocina de exorcista en la mesa. Padre Carmelo sostiene el Rituale Romanum.
Viñeta 2 (Primer plano de sus ojos): Los ojos de Lucía se vuelven completamente negros.
Diálogo (Lucía, en latín corrupto): “Non est daemonium... est memoria carnis.”
Nota de traducción: “No es demonio... es la memoria de la carne.”
Viñeta 3 (Contrapicado) – Su boca se abre 180 grados. Sombra con forma de cuerno en la pared.
El Exorcismo de Almansa a visceral graphic work by José Ángel de Álvaro
that adapts one of Spain's most harrowing "Black Spain" (crónica negra) crimes . Published in 2022 by Unbrained Comics and re-released in 2024 by Yeray Ediciones
, the work focuses on a 1990 ritualistic murder that shocked the town of Almansa, Albacete. Yeray Ediciones Plot and Historical Context
The narrative follows the true events of September 1990, when Rosa González Fito, a local healer who believed she was a "soldier of Saint Lucy," convinced her family that her 11-year-old daughter, Rosa Fernández, was possessed or "pregnant with Satan". The Ritual
: Together with two family friends, the mother subjected the child to a brutal "exorcism" that ended in the girl's death after her organs were tragically removed by hand. el exorcismo de almansa comic pdf work
: The comic also touches on the 1992 trial where the perpetrators were acquitted due to "transitory mental disorder" (enajenación mental) and confined to psychiatric institutions. Yeray Ediciones Artistic Style and Reception El exorcismo de Almansa - Yeray Ediciones
"El Exorcismo de Almansa" is a chilling graphic novel by author José Ángel de Álvaro that adapts one of Spain's most disturbing real-life crimes into a visual format. Published by Yeray Ediciones and Unbrained Comics, the work explores the tragic events of September 1990 in Almansa, Albacete, where an 11-year-old girl named Rosa was murdered during a ritual. The Real-Life Tragedy Behind the Comic
The comic is rooted in a case that shocked Spain's "Crónica Negra" (Black Chronicle). On September 18, 1990, Rosa González Fito (known as "Rosita la Curandera") and several other women—convinced that Rosa’s 11-year-old daughter was pregnant with the devil—subjected the child to a brutal, hours-long "exorcism". The ritual, fueled by religious delusions and potentially hallucinogenic substances, resulted in the girl's horrific death by evisceration. The perpetrators were later acquitted due to "shared psychosis" (folie à deux) and spent years in psychiatric care. Visual and Narrative Style
José Ángel de Álvaro, a professional in the sound industry making his comic debut, focuses on creating an atmosphere of "unease and discomfort".
Hyper-Realism: The comic meticulously recreates 1990s Spain, from the interior of the houses to the clothing and streets, making the horror feel grounded and immediate.
Explicit Content: The work is categorized as adult-only due to its graphic and explicit nature, depicting the violence of the ritual with unflinching detail.
Psychological Perspective: The narrative attempts to inhabit the minds of both the victim and the perpetrators without delivering moral judgment, letting the events speak for themselves. El Exorcismo de Almansa - Unbrained Comics
The Horror of Reality: A Deep Dive into the "El Exorcismo de Almansa" Comic In the wake of the trial, Spanish independent
In the dark corners of Spanish "crónica negra," few stories are as haunting as the 1990 Almansa case. Now, author José Ángel de Álvaro has resurrected this chilling event in a graphic novel that is as beautiful as it is disturbing. If you are looking for a work that balances hyper-realism with raw psychological horror, El Exorcismo de Almansa is a essential read. The True Story Behind the Panels
In September 1990, the small town of Almansa was rocked by a crime of unimaginable cruelty. A mother, a daughter, and two neighbors, fueled by religious fanaticism and a collective psychosis, performed a fatal "exorcism" on 11-year-old Rosita. They believed the girl was "pregnant with Satan". The legal aftermath saw the women acquitted due to mental alienation, leaving a scar on the Spanish psyche. The Creative Vision of José Ángel de Álvaro
Making his debut in the comic world, José Ángel de Álvaro—a professional sound technician and underground culture enthusiast—spent significant time researching the trial testimonies to craft this work.
Hiper-Realism: The art focuses on "costumbrista" details, painstakingly recreating the interiors of 1990s Spanish homes, the clothing of the era, and the streets of Almansa to ground the horror in reality.
Moral Ambiguity: Rather than judging the perpetrators, the author chooses to show the events as they happened, allowing the reader to experience the "desasosiego" (unease) of being inside the heads of both the victims and the executioners.
Visceral Impact: Critically acclaimed for its "explosive vignettes" and raw graphic violence, the comic is not for the faint of heart. Edition Details and Availability
The work has been released in two primary formats, widely praised by collectors for their high-quality production: El Exorcismo de Almansa - Unbrained Comics
The work is 64 pages, black and white, with heavy use of claroscuro (chiaroscuro). Unlike American comics, there are no sound effects (Bam! Pow!). The horror is silent. El Exorcismo de Almansa a visceral graphic work
Note: assuming a typical structure for EEA if the reader is not familiar:
Before we examine the comic, we must understand the nightmare that inspired it. Between 2012 and 2014, the quiet municipality of Almansa became the epicenter of a media firestorm.
It began with a 32-year-old woman identified in court documents as M.R.G.. Diagnosed with dissociative identity disorder, her behavior escalated dramatically after moving into a home on Calle Cura. According to testimony gathered by the Civil Guard, the woman began speaking in ancient Latin, levitating slightly off her bed, and exhibiting superhuman strength—requiring four grown men to restrain her.
The family, desperate, bypassed medical professionals and turned to an unauthorized exorcist. Over several nights, the exorcism allegedly turned violent. The "possessed" woman bit three Police officers and a priest. The exorcism only ended when the police intervened, arresting the family members for assault and illegal detention.
The case became known as El Crimen de Almansa (The Almansa Crime), though no one died—the "crime" was the brutality of the faith-based intervention. For the Spanish press, it was a modern-day El Exorcista.
The genre of exorcism in popular culture is heavily dominated by Anglo-Saxon cinema and literature, yet Spanish folklore possesses a rich, often darker tradition of spiritual conflict and mystery. El exorcismo de Almansa emerges not just as a pastiche of famous films like The Exorcist, but as a work deeply rooted in its geographical location. Almansa, famous for its imposing medieval castle and the pivotal 1707 Battle of Almansa, provides a moody, gothic atmosphere that rivals any Transylvanian setting. This paper aims to deconstruct how the comic utilizes this specific Spanish heritage to elevate its horror elements.
"El exorcismo de Almansa" is approached as a case study in how contemporary Spanish comics reinterpret local legends and religious rituals. The paper situates EEA within the tradition of Iberian graphic storytelling that mixes realism and the supernatural to critique sociocultural change.
The comic leverages the "Genius Loci" or spirit of place. Almansa is a city defined by its castle, which sits atop a craggy hill, dominating the skyline.