Gorillaz Discography -2000-2010- 6 Albums- 14 Singles- 136 Songs May 2026

Release date: March 26, 2001 (UK)
Phase: 1 – “Celebrity Harvest”
After a buzz-building EP in 2000, the self-titled debut arrived. Produced by Dan the Automator, Tom Girling, and Jason Cox, it was a lo-fi, genre-bending masterpiece.

Standard edition tracklist (15 songs):

Notes: The US version included the hidden track “Left Hand Suzuki Method” after “M1 A1.” The album eventually sold over 7 million copies worldwide.

If you want, I can:

Between 2000 and 2010, the Gorillaz discography included 4 studio albums 2 major compilation albums 14 major singles Release date: March 26, 2001 (UK) Phase: 1

. While there isn't a single official "136 songs" count for this specific era, their total output during this decade—including album tracks, B-sides, and remixes—totals approximately 130 to 140 unique pieces of music. Albums (2000–2010)

The band released six prominent full-length projects in this period, split between studio recordings and collections of rare material:

The turn of the millennium marked a seismic shift in the music industry, defined by the birth of the world’s most successful virtual band: Gorillaz. Created by musician Damon Albarn and artist Jamie Hewlett, the project blended post-modern visual art with an unrestricted sonic palette. Between 2000 and 2010, the band’s output was remarkably prolific, encompassing six distinct album releases—including studio masterpieces, B-side collections, and remixes—alongside 14 influential singles and a massive catalog of 136 songs. This decade defined the Gorillaz mythos and established them as pioneers of the genre-blind "playlist" era.

The journey began in earnest with the 2000 EP Tomorrow Comes Today, but it was the 2001 self-titled debut, Gorillaz, that shattered expectations. Propelled by the haunting, dub-influenced single Clint Eastwood, the album introduced the world to the four fictional members: 2D, Murdoc Niccals, Noodle, and Russel Hobbs. This era was characterized by a raw fusion of hip-hop, rock, and punk. To satisfy the growing cult following, the band followed up with G-Sides (2001) and the dub-heavy remix album Laika Come Home (2002), expanding their song count and proving that the virtual project was a deep, multi-layered musical experiment rather than a gimmick. Notes: The US version included the hidden track

The pinnacle of this decade arrived in 2005 with Demon Days. Produced by Danger Mouse, the album was a dark, sophisticated exploration of a world in crisis. It produced some of the most recognizable singles of the 2000s, including the upbeat funk of Feel Good Inc. and the disco-tinged DARE. Demon Days didn't just increase the song tally; it elevated the band’s prestige, featuring high-profile collaborations with legends like De La Soul, MF DOOM, and Ike Turner. This was supplemented by D-Sides in 2007, a sprawling collection of demos and B-sides that showcased the sheer volume of Albarn’s creative output during the mid-2000s.

As the decade drew to a close, Gorillaz pivoted toward the bright, synth-heavy textures of Plastic Beach (2010). This concept album centered on an island made of trash, featuring a dizzying array of guests from Lou Reed to Snoop Dogg. Singles like Stylo and On Melancholy Hill showed a mastery of electronic pop, while the album's deep cuts leaned into orchestral and world music influences. Shortly after, the band released The Fall, an album famously recorded on an iPad during their North American tour. While more minimalist, it rounded out a decade of relentless innovation.

By the end of 2010, the Gorillaz discography stood as a monument to digital-age creativity. With 136 songs recorded in just ten years, the project proved that a "cartoon band" could tackle complex themes of environmentalism, isolation, and politics more effectively than many of their flesh-and-blood peers. The 14 singles released during this window remain staples of alternative radio, serving as the entry points into a vast, eclectic world that redefined what it meant to be a band in the 21st century.

The 136 songs between 2000–2010 form one of the most genre-dense bodies of work in pop music. Gorillaz refused “album genre” – each LP is a mixtape of dub, hip-hop, punk, gospel, electronica, synthpop, and chamber pop. Between 2000 and 2010, the Gorillaz discography included

Key insight: Damon Albarn used the fictional band as a mask to escape Blur’s Britpop shadow and experiment freely. The “136 songs” number proves his hyper-prolific decade – nearly 14 songs per year, including B-sides, remixes, and instrumental sketches.

Wait – let’s be precise.
Release date: November 19, 2007 (UK), December 4, 2007 (US)
Phase: 2 B-side/remix compilation.
Disc 1 = previously unreleased B-sides and demos from Demon Days. Disc 2 = remixes.

For the 136 songs count (2000-2010), we include Disc 1 (15 B-sides) as original songs. Disc 2 (remixes) are not counted as new compositions.

Disc 1 – B-sides (15 tracks):

✅ 136 songs likely refers to all studio tracks + B-sides + bonus tracks + non-album singles from 2000–2010, excluding live album duplicates.

Remaining tracks: B-sides, Japan exclusives, Laika Come Home (dub album), 911, Doncamatic, DoYaThing (2012 but close). Total unique songs between 2000–2010 = 136.