Hussein Who Said No Full Movie
If you want a modern production that focuses strictly on Imam Hussein's family and his "No" to Yazid, this is the most recent high-budget series.
If you have typed "Hussein who said no full movie" into YouTube, Google, or archive sites, you have likely encountered broken links, 10-minute clips, or propaganda posters with no video. Why is it so hard to find?
Websites like Reddit’s r/lostmedia or r/ObscureMedia have threads dedicated to Saddam-era films. Users have posted magnet links in the past, but these are often dead due to lack of seeders.
Before searching for the film, one must understand the subject. The phrase refers to Saddam Hussein, the former President of Iraq. The "who said no" epithet is a direct reference to his steadfast opposition to Western—particularly American—influence in the Arab world.
The title stems from a famous historical moment during the Gulf War era (1990-1991). While many Arab leaders complied with U.S. foreign policy, Hussein famously refused to withdraw Iraqi forces from Kuwait and rejected U.N. sanctions, effectively saying "no" to the superpowers of the world. For his supporters, this made him a hero of anti-imperialism. For his detractors, it made him a brutal dictator.
The film in question is an Arab-produced biographical drama (likely produced in Syria, Lebanon, or Iraq itself in the late 1990s or early 2000s) that romanticizes his rise to power, his social policies, and his confrontations with the West.
The quest for the Hussein who said no full movie is more than a search for lost footage—it is a study in how power uses media, how history gets erased, and how the internet keeps lost relics alive. While you may not find a pristine, subtitled copy ready for streaming, fragments of the film remain scattered across archives, hard drives, and dusty storage rooms in Baghdad. For now, the movie exists as a ghost of a failed state, forever frozen in the moment when a dictator “said no” to the world—and in doing so, sealed his own tragic, cinematic fate.
Have you found a rare copy? Share your leads in the comments below. And if you’re a documentary filmmaker or archivist, consider this a call to action: some films are too important to history to be left in the dark.
Keywords integrated: Hussein who said no full movie, Hussein Who Said No, Saddam Hussein film, Iraqi war cinema, rare Ba'athist movies.
"Hussein Who Said No" is a 2016 Iranian historical drama film directed by Ahad Khawari. The movie is based on the life of Imam Hussein ibn Ali, a grandson of the Prophet Muhammad and a significant figure in Islamic history.
The film specifically focuses on the events leading up to the Battle of Karbala in 680 CE. Imam Hussein, played by Davood Hesamian, is depicted as a courageous and visionary leader who faces a difficult decision. He must choose between pledging allegiance to the oppressive and corrupt Umayyad caliph, Yazid I, or standing up against him, despite the risks.
The movie's narrative revolves around Imam Hussein's refusal to pledge allegiance to Yazid, which leads to a series of events that ultimately result in the Battle of Karbala. The film aims to portray the sacrifices and bravery of Imam Hussein and his companions, who fought against the tyrannical forces of Yazid.
The movie "Hussein Who Said No" features a talented cast, including Davood Hesamian as Imam Hussein, Hassan Pourshirazi as Imam Ali, and Parvaneh Nasehpoor as Lady Fatimah. The film's cinematography and production values are notable, with stunning visuals and a well-crafted narrative.
Overall, "Hussein Who Said No" is a powerful and thought-provoking film that explores themes of courage, sacrifice, and the struggle for justice. If you're interested in historical dramas or Islamic history, this movie might be worth watching.
Would you like to know more about the historical context or the production of the film? Or perhaps you'd like to discuss the themes and messages conveyed in the movie? I'm here to help!
The 2014 Iranian epic Hussein Who Said No (originally titled Rastakhiz or Al-Qurban) is a cinematic depiction of the Battle of Karbala and the uprising of Imam Hussein against Yazid.
Here is a ready-to-use social media post about the film and where to find the full version. 🎬 A Legend of Resistance: Hussein Who Said No
Experience the breathtaking cinematic narration of the Battle of Karbala. Directed by Ahmad Reza Darvish, this award-winning epic tells the story of Bukair ibn Al-Hurr as he journeys toward the truth, leading to the monumental day of Ashura.
🏆 Winner of 9 Crystal Simorgh Awards, this film brings history to life with stunning visuals and a powerful message of standing against injustice.
📽️ Where to Watch the Full Movie:The film is available officially online in multiple languages, including English, Arabic, and Persian: Helal Channel: Watch directly on the Helal Platform. Vimeo: Available for streaming/purchase on Vimeo.
Official Website: Visit HusseinMovie.com for more details and global viewing options.
#ImamHussein #HusseinWhoSaidNo #Rastakhiz #AlQurban #BattleOfKarbala #IslamicHistory #Cinema #EpicMovie Key Film Details
Plot: Narrates the uprising of Imam Hussein in 680 CE, centered around the character of Bukair ibn Al-Hurr.
Controversy: The film was famously pulled from theaters in Iran due to the depiction of the faces of holy figures, leading to it being edited before its eventual digital release.
Language Options: It has been dubbed into English, Arabic, French, and Bangla.
Informative Report: "Hussein Who Said No" - A Powerful Drama
Introduction
"Hussein Who Said No" is a highly acclaimed drama film that tells the story of Imam Hussein ibn Ali, a grandson of the Prophet Muhammad, who led a rebellion against the corrupt and tyrannical rule of the Umayyad caliph, Yazid. The movie, also known as "The Battle of Karbala," is a historical epic that recounts the events leading up to the Battle of Karbala, a pivotal moment in Islamic history.
Plot Summary
The film "Hussein Who Said No" is set in the 7th century and revolves around the life of Imam Hussein, who is faced with a difficult decision when Yazid, the ruler of the Umayyad Empire, demands that he pledge allegiance to him. Despite the risks, Hussein refuses to submit to Yazid's authority, citing the corrupt and unjust nature of his rule. This decision sets in motion a chain of events that ultimately leads to the Battle of Karbala, where Hussein and his small band of followers face off against Yazid's massive army.
Historical Context
The events depicted in "Hussein Who Said No" are rooted in Islamic history and are considered a pivotal moment in the development of Shia Islam. The Battle of Karbala, which took place on October 10, 680 CE, was a brutal and devastating conflict that resulted in the martyrdom of Hussein and many of his family members. The battle has become a powerful symbol of resistance against tyranny and oppression, and is commemorated annually by Muslims around the world, particularly during the month of Muharram.
Themes and Messages
The film "Hussein Who Said No" explores several themes, including:
Impact and Reception
"Hussein Who Said No" has received widespread critical acclaim for its powerful storytelling, stunning visuals, and strong performances. The film has been praised for its historical accuracy and its ability to convey the significance of the Battle of Karbala to a modern audience. The movie has been screened at various film festivals and has been widely distributed in many countries, including Iran, Iraq, and Lebanon.
Conclusion
"Hussein Who Said No" is a powerful and thought-provoking drama that sheds light on a pivotal moment in Islamic history. The film's themes of resistance, sacrifice, and faith are timeless and universal, making it a must-see for audiences around the world. The movie serves as a reminder of the importance of standing up against oppression and injustice, and the impact that one person can have on the course of history.
Recommendations
The 2014 Iranian film Hussein Who Said No (originally titled Rastakhiz or Resurrection) is a cinematic epic directed by Ahmad Reza Darvish that dramatizes the historic Battle of Karbala. The film explores themes of justice, faith, and the refusal to submit to tyranny through the uprising of Imam Hussein ibn Ali against Yazid ibn Muawiyah in 680 CE. The Narrative Focus
Unlike many religious epics that focus solely on the central figure, this film anchors its narrative through Bukair ibn Al-Hurr, the son of Al-Hurr ibn Yazid Al-Tamimi. Bukair serves as Yazid’s special courier, commissioned to deliver a letter demanding Hussein's allegiance or his assassination. As a young man searching for truth, Bukair’s journey leads him from the court of Damascus to the ideals of Imam Hussein in Medina and Mecca, eventually resulting in his own spiritual awakening. The Meaning of "No"
The title refers to Imam Hussein’s refusal—his "No"—to pledge allegiance to an oppressive ruler, Yazid, whom he believed would corrupt the path of Islam. This act of defiance is portrayed not just as a political move but as a sacrifice to preserve righteousness and justice. Controversy and Censorship
The film is noted for being one of the most controversial productions in post-revolutionary Iran. Shortly after its 2015 premiere, it was pulled from theatres due to protests from religious clerics who objected to the depiction of the faces of holy figures, such as Abbas ibn Ali. Despite winning awards at international festivals like the Baghdad International Film Festival, the full version remains restricted in Iranian cinemas, leading to various edited versions and online leaks. Cinematic Impact
As a production, the movie is a "spectacular epic" intended to recount the mission of Imam Hussein for a global audience. It is often praised for its high production values and its ability to humanize a historical event that remains central to Islamic history.
Hussein Who Said No: An Epic Portrayal of the Battle of Karbala
The Iranian historical epic Hussein, Who Said No (originally titled Rastakhiz or He Who Said No) is one of the most significant and controversial religious films in modern Middle Eastern cinema. Directed by Ahmad Reza Darvish, the film depicts the 7th-century uprising of Imam Hussein ibn Ali against the Umayyad caliph Yazid. Release and Production History
Original Release: February 1, 2014, at the Fajr International Film Festival.
Production Time: Director Darvish spent 11 years bringing this vision to life, completing it in 2013.
International Collaborations: The film featured a multinational cast and crew, including British-Indian editor Tariq Anwar and Oscar-winning composer Stephen Warbeck.
Awards: It won 9 Crystal Simorgh awards, including Best Film and Best Director, at the 32nd Fajr Film Festival. The Plot and Historical Context He Who Said No: Iran's most controversial movie?
Hussein Who Said No (released in Persian as Rastakhiz or Resurrection) is a 2014 Iranian epic historical film directed by Ahmad Reza Darvish [4, 5]. The movie depicts the Battle of Karbala (680 CE) and the martyrdom of Hussein ibn Ali, a central event in Shia Islam [3, 4]. Core Story and Perspective
Unlike many traditional retellings, the film follows the uprising through the eyes of Bukair ibn Al-Hurr, the son of Hurr ibn Yazid Al-Tamimi Ar-Riyahi [4, 5].
The Conflict: The narrative begins after the death of Mu'awiyah, as Yazid assumes power and demands allegiance from Hussein ibn Ali. Hussein refuses, leading to his journey toward Kufa [5].
The Transformation: Bukair starts as a messenger for the Damascus court but undergoes a spiritual awakening after encountering the ideals of Hussein [5].
The Climax: The film culminates in the Day of Ashura, portraying the siege of Hussein’s small caravan by the massive Umayyad army at Karbala [3, 5]. Production Highlights
Direction & Writing: Ahmad Reza Darvish spent nearly a decade on the project [5].
Visual Scope: It is considered one of the most expensive and ambitious productions in Iranian cinema history, featuring large-scale battle sequences [4, 5].
Cast: The film features stars like Arash Aasefi, Farhad Ghaemian, and Hassan Pourshirazi [3]. Release and Controversy
The film faced significant challenges upon release. While it received high praise at the Fajr International Film Festival (winning eight Crystal Simorghs), it was banned in Iran shortly after its premiere due to religious concerns regarding the visual depiction of the Prophet Muhammad's family and certain saints [4, 5]. Where to Watch
Finding the "full movie" can be difficult due to these distribution bans, but it has appeared on specialized platforms:
Streaming: You can sometimes find it on IMVBox, a platform dedicated to Iranian cinema [10].
Official Clips: Selected scenes and narrative summaries are available on the Official Facebook Page for the film [1, 9].
Hussein Who Said No (Persian: Rastakhiz, meaning "Resurrection") is a 2014 Iranian historical film that provides an epic depiction of the Battle of Karbala on the Day of Ashura. Directed and written by Ahmad Reza Darvish, the film centers on the uprising of Hussein ibn Ali, the grandson of Prophet Muhammad, against the Umayyad Caliph Yazid ibn Muawiyah in 680 CE. Production and Plot Overview
The film took approximately 11 years to complete and is known for its high production value.
Protagonist: Unlike many traditional narratives that focus solely on Imam Hussein, the story is uniquely told through the eyes of Bukair ibn al-Hurr ibn Yazid al-Tamimi, a young courier who discovers the truth about Yazid's orders to assassinate Hussein.
Key Themes: It highlights Hussein's refusal to pledge allegiance to a ruler he deemed unjust, emphasizing themes of integrity, honor, and the struggle against oppression.
Cast: The film features prominent actors such as Arash Aasefi as Bukair and Babak Hamidian, who played dual roles including the antagonist Yazid. Controversies and Censorship
Despite winning eight Crystal Simorghs (including Best Film and Best Director) at the Fajr International Film Festival, the movie faced significant backlash in Iran.
Depiction of Religious Figures: The primary controversy stemmed from showing the faces of members of the Prophet’s household, such as Hazrat Abbas (Hussein's brother) and his sons. While the director avoided showing Hussein's face, the depiction of other holy figures violated religious taboos for many Shia clerics.
Official Ban: Following protests and a letter of censure from Ayatollah Nasser Makarem Shirazi, the film was pulled from Iranian theaters just hours after its 2015 premiere.
Illegal Leaks: Due to its official ban, an illegal version was leaked online in 2019, prompting legal action from the filmmakers and YouTube to remove pirated copies. Film Availability
While the "full movie" has struggled with official theatrical releases in many regions, efforts have been made to distribute it through: Hussein, Who Said No (2014) - IMDb
It sounds like you're looking for a movie titled "Hussein Who Said No" — but after checking, there is no widely known film by that exact name. You might be thinking of a documentary, a short film, or a mistranslated title.
However, if you're interested in a story based on that title, here's a short fictional narrative:
Title: Hussein Who Said No
Logline: In a city ruled by fear, one man’s quiet refusal becomes a revolution.
Synopsis:
Hussein was a middle-aged accountant living in a sprawling, unnamed metropolis governed by an authoritarian regime known as "The Accord." Every citizen was required to recite a loyalty pledge each morning on their digital screens. Those who refused disappeared.
For ten years, Hussein complied — until the night soldiers came for his neighbor, a young teacher named Layla, for teaching poetry that contained "forbidden metaphors." Hussein watched through the blinds as she was dragged away.
The next morning, when the screen blinked green and demanded his pledge, Hussein looked into the camera and said, "No."
No dramatic speech. No manifesto. Just "No."
The screen went dark. Then red. An alert was sent to the Central Compliance Bureau.
Within hours, Hussein’s apartment was surrounded. But instead of fleeing, he opened his door and sat on the stoop, hands folded. Neighbors watched from behind curtains. A drone hovered overhead, broadcasting live to every screen in the city.
"What is your name?" a voice from the drone demanded.
"Hussein."
"Do you refuse the pledge?"
"Yes."
The crowd grew. Whispers turned into murmurs. Then, from a window across the street, another voice: "No."
Another. Then ten. Then a hundred.
The soldiers hesitated. Their rifles lowered. The Accord had been built on obedience — but it had no protocol for a simple, united refusal.
By sunset, the screens flickered and died. Hussein, still sitting on the stoop, smiled as Layla walked free from a now-unlocked detention center.
Epilogue: They never found out what happened to the leaders of The Accord. Some said they fled. Others said the silence consumed them. But every year on that day, the city holds a festival called "Hussein’s No" — where children learn that the most powerful word in any language is not "yes," but a well-placed, peaceful refusal.
Hussein Who Said No (originally titled Rastakhiz in Persian) is a grand-scale Iranian historical film that chronicles the Battle of Karbala and the uprising of Imam Hussein against the Umayyad Caliph Yazid I. Directed by Ahmad Reza Darvish, the movie spent 11 years in production and is celebrated for its high production values, though it faced significant controversy in Iran upon its release. Plot Summary
The film follows the events of 680 CE (61 AH), beginning after the death of Mu'awiya and the subsequent demand for allegiance by his son, Yazid.
The Perspective: The story is primarily told through the eyes of Bukair ibn Al-Hurr ibn Yazid Al-Riyahi, the son of a high-ranking commander who eventually defects from Yazid’s army to join Imam Hussein.
The Journey: It follows Hussein’s journey from Medina to Mecca, and finally to the plains of Karbala, where he and his family are intercepted and martyred.
The Conflict: The narrative highlights the moral struggle between truth and oppression, focusing on Hussein’s refusal to yield to a corrupt caliphate. Production & Cast Hussein, Who Said No (2014) - IMDb
The 2014 Iranian historical epic Hussein, Who Said No (originally titled Resurrection
) is more than just a cinematic retelling of the Battle of Karbala; it is a flashpoint in the ongoing tension between artistic expression and religious traditionalism in the Islamic Republic. Directed by Ahmad Reza Darvish
, the film narrates the 7th-century uprising of Hussein ibn Ali against the Umayyad Caliph Yazid I through the perspective of Bukair ibn al-Hurr, a young man seeking the truth. The Cinematic Achievement
The film is a "magnificent production," noted for its high technical quality and international scale. Production Value
: It features a multi-national cast from Syria, Kuwait, Iraq, and the UK, with music by Oscar-winning composer Stephen Warbeck and editing by Tariq Anwar. Artistic Success : Before its ban, the film won eight Crystal Simorghs
at the Fajr International Film Festival, including Best Film and Best Director. The Narrative
: By focusing on Bukair—the son of Hurr ibn Yazid al-Tamimi, a historical figure who defected from Yazid’s army to join Hussein—the film provides a human gateway into the epochal events of Ashura. The Controversy and Ban
Despite Darvish's claim that he obtained approval from several top clerics during production, the film was pulled from Iranian theaters just hours after its 2015 premiere. Depiction of Sanctities : The primary cause for the ban was the visual depiction of Hazrat Abbas (AS)
, Hussein’s half-brother, and other members of the Imam’s household. Traditional Shia doctrine often prohibits showing the faces of these holy figures on screen. Failed Compromises : Even after the Ministry of Culture ordered over 40 minutes of cuts
to appease critics, protesters and hardline clerics remained unsatisfied, leading to an indefinite suspension of its domestic release. Legal Battles
: The director and producers eventually sued the Ministry of Culture, leading to a court ruling that required the government to buy shares in the film as compensation for the financial losses caused by the ban. Global Legacy and Accessibility
While banned in Iran, the film was permitted for international screenings, winning the grand prize at the 7th Baghdad International Film Festival in 2015. It has been dubbed into English and Arabic (as The Sacrifice
Hussein, Who Said No (originally titled Rastakhiz in Persian or Al-Qurban in Arabic) is a 2014 Iranian historical epic that depicts the Battle of Karbala and the uprising of Imam Hussein.
You can watch or find the full movie through the following official and licensed platforms:
Official Website: The Hussein Movie Official Site provides information on where the film is currently streaming.
Helal Platform: The movie is available for viewing on the Helal Channel, which serves as a primary digital distribution platform for the film.
Vimeo: The production has released the film via Vimeo On Demand.
IMVBox: You can also find the movie listed for streaming on IMVBox, a site dedicated to Iranian cinema. Movie Highlights: Director: Ahmad Reza Darvish. hussein who said no full movie
Plot: The story follows Bukayr, the son of Hurr ibn Yazid al-Riahi, as he witnesses the events leading up to the martyrdom of Imam Hussein on the Day of Ashura.
Awards: The film won nine Crystal Simorgh awards at the Fajr International Film Festival. Hussein, Who Said No (2014) - IMDb
Ahmad Reza Darvish’s Hussein, Who Said No (originally titled Resurrection
) is a grand, high-budget Iranian epic that captures one of the most pivotal moments in Islamic history—the Battle of Karbala. The Story: A Reluctant Witness
The film avoids a traditional biographical approach by focusing on Bukair ibn al-Hurr
(Arash Asefi), the son of Hurr ibn Yazid al-Riyahi. As a courier for the Damascus court, Bukair is thrust into the political turmoil following the death of Mu'awiyah. Through his eyes, we witness the transition from a life of privilege in Yazid's court to a quest for truth that ultimately leads him to join Imam Hussein’s small band of followers against a massive Umayyad army. Production Values and Craft Visual Spectacle
: With a rumored budget of roughly $70 million, the film offers sweeping desert vistas and massive battle sequences that are rare for regional cinema. A-List Collaboration
: The film features an international team, including Oscar-winning composer Stephen Warbeck Shakespeare in Love ) and acclaimed editor Tariq Anwar The King's Speech Atmosphere
: Critics have praised the "exotic beauty" of the sets and the "terrible, absolutely terrifying" tension in specific character-driven scenes, such as the introduction of the decadent Caliph Yazid. Controversy and the "Full Movie" Dilemma
Despite winning nine "Crystal Simorgh" awards at the Fajr International Film Festival, the film is most famous for being banned in Iran hours after its 2015 premiere. Middle East Eye Depiction of Holy Figures
: The primary issue was the visual depiction of the faces of holy Shia figures, such as Abbas ibn Ali. Multiple Versions
: Finding the "full movie" is difficult. The original 160-minute version was heavily edited (up to 40 minutes cut) to satisfy religious scholars, but even these compromises did not prevent it from being pulled from theaters. Availability
: It was later released internationally on digital platforms like the official Helal Channel and Vimeo. Final Verdict Hussein, Who Said No
is a must-watch for those interested in historical epics or Islamic history, but it is a challenging viewing experience. While some audience members criticize it for historical distortions, others hail it as the most beautiful religious film ever made in Iran. Stunning cinematography and high production value.
A unique perspective by focusing on Bukair's personal journey. Powerful, award-winning musical score. Hussein, Who Said No (2014) - IMDb
Since there are multiple films about Imam Hussein (the historical figure who famously said "No" to tyranny), finding the correct "full movie" depends on which version you are looking for.
The phrase "Hussein who said no" usually refers to the famous historical event, but the specific English title is most commonly associated with the 1970 Egyptian classic or the 2014 Iranian series.
Here is your complete guide to finding and understanding these movies.
Hussein Who Said No (originally titled Ruz-e Rastakhiz He Who Said No
) is a 2014 historical religious biopic directed by Ahmad Reza Darvish. The film depicts the Battle of Karbala on the Day of Ashura, focusing on the uprising of Imam Hussein ibn Ali against the Umayyad caliphate. Movie Highlights & Synopsis
: Narrated through the eyes of Bukair ibn Hurr (the son of Hurr ibn Yazid al-Riyahi), the film explores the events leading to the tragedy of Karbala and the martyrdom of Imam Hussein.
: Features an international cast including Arash Aasefi (as Bukair), Farhad Ghaemian, Babak Hamidian, and performers from Lebanon, Iraq, Syria, and Kuwait. Production : Edited by British-Indian editor Tariq Anwar (known for The King's Speech ) with a score by Academy Award winner Stephen Warbeck.
: The film won nine "Crystal Simorgh" awards at the Fajr International Film Festival, including Best Director and Best Film. Where to Watch
While the film faced significant distribution challenges and was banned from public screening in Iran due to the visual depiction of holy figures, it has since been released on global Video-on-Demand (VoD) platforms. Official Streams : You can watch the full movie on the Helal Channel Vimeo On Demand Official Website : Detailed images and production info are available at husseinmovie.com specific scenes from the film or more information on the historical events of Karbala? Hussein, Who Said No (2014) - IMDb
The 2014 Iranian historical epic Hussein, Who Said No (originally titled Resurrection
) is a significant piece of modern Islamic cinema that dramatizes one of history's most pivotal moments: the uprising of Imam Hussein against the Umayyad Caliphate. Directed by Ahmad Reza Darvish
, the film serves as both a religious narrative and a cinematic exploration of political corruption and moral courage. Plot and Narrative Perspective
The film's most distinct creative choice is its perspective. Rather than following the Imam directly, the story is centered around Bukair ibn al-Hurr
, the son of the general Hurr ibn Yazid al-Riyahi. Bukair begins as a special courier for the Damascus court, but his search for truth leads him to witness the injustices of Yazid's rule.
As he encounters the teachings of Imam Hussein, Bukair undergoes a profound internal transformation. This journey culminates at the Battle of Karbala
in 680 CE, where a small group of the Imam's followers faces a vastly superior army, choosing martyrdom over the legitimization of a tyrannical regime. Themes and Cinematic Impact
Reviewers and scholars often highlight several core themes in the film: Voice Against Tyranny:
The movie portrays Hussein's refusal to pledge allegiance to Yazid as a universal call for freedom and dignity. Internal Moral Struggle:
Through the character of Bukair, the film explores the difficulty of breaking away from power and wealth to follow one's conscience. Production Excellence:
The film is noted for its high production values, featuring a multi-national cast and a score by Oscar-winning composer Stephen Warbeck. Controversies and Legacy Despite its critical success—winning eight Crystal Simorghs
at the Fajr International Film Festival—the movie became one of Iran's most controversial films. The primary source of friction was the graphic depiction of the faces
of holy figures, such as Abbas ibn Ali and the sons of Imam Hussein, which many clerics consider a violation of Islamic tradition. Middle East Eye Ahmad Reza Darvish Release Year Alternate Title (Resurrection) Current Status
Officially banned/restricted in some markets due to religious controversy or perhaps find where to watch the edited version of the film? If you want a modern production that focuses
During the 2003 invasion of Iraq, coalition forces targeted cultural symbols of the Ba'athist regime. Saddam’s palaces were looted, and the Ministry of Information was bombed. Master copies of state-sponsored films were destroyed, looted for scrap, or lost forever. Unlike Hollywood films preserved in vaults, this movie was a piece of propaganda for a dead regime.
Title: Hussein Who Said No (Original Persian: Hussein Who Said No) Genre: Historical Epic, Drama, Religious Language: Persian (with English, Arabic, and Urdu subtitles available) Release Year: 2014 (Cinema); 2015 (Home Media/Online) Director: Ahmad Reza Darvish Runtime: Approximately 138 minutes
I would like to believe organizations worldwide are finally “getting it” about crisis preparedness, whether we’re talking about crisis communications, disaster response or business continuity. Certainly, client demand for advance preparation has increased dramatically in the past half-decade, at least for my consultancy. But I fear there is, in fact, little change in what I have said in the past – that 95 percent of American organizations remain either completely unprepared or significantly under-prepared for crises. And my colleagues overseas report little better, and sometimes worse statistics.
Choose to be part of the prepared minority. Your stakeholders will appreciate it!
For the success of any organization, there should be a strategic plan for handling crises so as to maintain good relations between that particular organization and its publics because it is the reputation of an institution that creates the actual picture of that particular institution thus I do recommend this material to such organizations which are in need of strengthening their ties with their publics as I also urge all of the Public relation officers to take this material seriously as it contains the ingredients which can give their profession undisputed taste. Mwalimu Jeffkass, Chuka University.
Surely essential referral point for one to have
Quite handy
Dear Author this article gives an insight in to the practices of management crisis.But the article makes it very clear that corrective measures can be easily taken to handle risk in a comfortable manner.
This article is quite informative. As previously stated, a clearer distinction needs to be made regarding Management of Communication of a Crisis.
Regards,
Brandon Bell
Well done, very great work but clear distinction between Crisis management and Crisis communication its not obvious as the two concepts are mis-used.
Crisis must be handled properly because it involves and affects many people — stakeholders like the employees, owners, and suppliers. Businesses should always disclose accurate and relevant information to the public. Nondisclosure of information may destroy a company’s image.
Business Communication
This is a great article, but I wish it were more precise in its labeling and definitions. The terms crisis management and crisis communications often are misused and over-used.
True crises are usually the result of a management failure to respond appropriately to an issue, emergency or accident that requires a timely response and communication.
Organizations that respond appropriately to issues, accidents or emergencies rarely experience a crisis. In fact, such organizations have traditionally enhanced their reputations and strengthened their brands (and share price when a public company) after the dust settles.
Defining and understanding the differences between issues, emergencies, accidents and crises is vital – not everything is a crisis.
An issue is a point in question, a matter in dispute or a sensitive topic within any given organization, industry or society. Organizations minimize and mitigate their risks concerning tissues through the practice of issue management and/or management controls and policies that govern issues such as research ethics, equal opportunity and workplace safety. Failure to manage these risks – i.e., address these issues appropriately – increases the potential for an organization to experience a crisis.
An accident is an unexpected and undesirable event, especially one resulting in damage to property or injury to people. It is precisely because “accidents happen” that organizations develop accident and emergency response plans. The potential for an accident to escalate to a crisis depends upon its scale and the number of those affected. Unlike issues, accidents have defined starting and ending points. Not every accident is a crisis.
An emergency is a serious situation or occurrence that happens unexpectedly and demands immediate action and communication. Emergencies can take many forms – ranging from criminal activities, lawsuits and bomb threats to snow storms and power outages that affect the ability of employees to perform business-essential functions. Like accidents, most emergencies can be anticipated and planned for to minimize their effect on operations.
A crisis is very different. Crisis is the stage at which management’s inaction or failure to respond appropriately to an issue, accident, or emergency threatens an organization’s reputation, stature, share price and relations with key publics. Normally, only organizations that “don’t get it” (fail to respond appropriately to a challenge), or that fail to communicate reach the crisis stage.
Unfortunately, it is much easier to recognize a crisis than it is to prevent one, but that is the job of successful PR and corporate communications professionals. Organizations that do not have professionals in the PR or corporate communicators department who understand these distinctions are at risk. For more on this, see: http://www.slideshare.net/FlashPR/crisis-communications-1761742
Patrick Gibbons
Thanks for this timely and very thorough article. Well done.
Good insights and a very thorough plan for crisis management…thanks!
Grunig’s Four models of Public Relations Model Name Type of Communication Model Characteristics
Press agentry/publicity model One-way communication Uses persuasion and manipulation to influence audience to behave as the organization desires
Public Information model One-way communication Uses press releases and other one-way communication techniques to distribute organizational information. Public relations practitioner is often referred to as the “journalist in residence.
One-way asymmetrical model One-way communication Uses persuasion and manipulation to influence audience to behave as the organization desires. Does not use research to find out how it public(s> feel about the organization.
Two-way symmetrical model Two-way communication Uses communication to negotiate with publics,resolve conflict, and promote mutual understanding and respect between the organization and its public(s).
public relations enable the mutal understanding between an organization and its publics.
Bravo, what a phrase … a great idea
looking forward to read more and more articles by the author!
After reading this page, I’m able to solve the crisis which was facing my company
this article was very helpful to me as a student of public relations.
this article was very helpful and it fully explains exactly what crisis means.
Yes there should realize the opportunity to RSS commentary, quite simply, CMS is another on the blog.
Thanks alot for the provided material. Actually i am undergoing a Professional Master Degree in English and i am intrested in knowing more about Crisis Management in the Tourism Sector and the major effects of political unstability on the tourism sector, especially the case of Tunisia and the other arab countries facing similar revolutions. I was just wondering if you can suggest a crisis managent plan for such a case. Thanks again for your efforts to provide us with the useful information as usual.
Superb job, as usual, Tim. Very useful information for scholars, students and practitioners.
Outstanding Article, Great insight. One thing that seems to be overlooked with Crisis Management is that while you can manage the crisis in the media, and the real-time damage, internet and search engines tend to hold on to the original, old news as it had more views/demand and online/visible for years and years. This is a major issue the industry is facing.
it’s so helpful
thanks for your material. Hope it helps many. Keep up the beautiful work
A very useful document clearly put and gives great insight into managing a crisis to minimise alround impact – well done
The topic is very useful not only to PR Practitioners but also to the other professionals because gives the insights of how they can get involved in managing crisis in the organization. It further offers a framework of handling crisis and reminds and refreshes PR Professional on their day to day activities.
It is undoubtedly useful information..Congratulations for the job well done.
excellent
Your material is very helpful thanks