You don’t have to do this manually every time. These tools understand "jack or the submission PDF" logic:
The keyword suggests a poorly designed form where:
For example, a conference might allow: “If Jack is the corresponding author, type his name here. Otherwise, upload a single PDF of your full submission.” jack or the submission pdf
Q: Does "jack" refer to a person named Jack? A: Almost certainly not. While urban legends mention a Dr. Jack Reilly who first coded submission systems, the term is an acronym or a shortened noun, not a proper name.
Q: Can I ignore the warning and submit anyway? A: You can, but the system will likely generate a low-quality proof, or the editor will return it without review. The warning exists because downstream production systems will fail. You don’t have to do this manually every time
Q: What if my PDF has no forms but the error persists? A: Check for digital signatures. A signed PDF is locked, but the jacket might still be editable. Remove the signature, flatten, then re-sign after submission (if required).
Q: Does this apply to LaTeX-generated PDFs?
A: Less often, because LaTeX outputs are typically flat. However, if you use \pdfinfo commands, you are creating a jacket. In that case, simply omit those commands from your preamble. For example, a conference might allow: “If Jack
Ionesco uses the "marriage plot" to expose the illogical nature of social traditions. The dialogue is circular and nonsensical; characters talk past one another, repeating phrases like "What a beautiful day" or "I like potatoes." This repetition suggests that social interaction is merely a performance of empty rituals rather than genuine communication.
Jack, or The Submission is a one-act play by Eugène Ionesco, a founding figure of the Theatre of the Absurd. The play serves as a satirical attack on social conventions, particularly the institution of marriage and the rigid expectations of family dynamics. Through illogical dialogue, stereotypical characters, and a refusal to adhere to psychological realism, Ionesco demonstrates the absurdity of social rituals and the terrifying "normalcy" of conformity.
