You can find "The Best Is Yet To Come" by Laura Fygi on various music platforms such as Amazon Music, eBay, and online music stores that sell FLAC files. Some streaming services may also have this album available.
The Best Is Yet To Come (2011) in FLAC format is a high-fidelity representation of Laura Fygi’s sophisticated vocal jazz style. For archivists and audiophiles, this lossless version is the definitive digital edition, preserving every nuance of the original mastering. Casual listeners may find MP3 sufficient, but FLAC unlocks the album’s full sonic warmth—making it a valuable asset in any serious jazz or vocal pop collection.
Recommendation: If acquiring this FLAC release, verify the source (official download, CD rip with logs, or a reputable HD store) to ensure it is not a transcode from a lossy source. For playback, use a DAC and quality headphones/speakers to appreciate the lossless benefits fully.
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Laura Fygi - The Best Is Yet To Come (2011) is a landmark release marking the 20th anniversary of Fygi's solo career. As her 12th studio album, it notably represents her first-ever full recording session backed by a complete Album Overview
The album features Fygi's interpretations of timeless jazz standards originally popularized by icons like Frank Sinatra, Tony Bennett, and Peggy Lee
. Recorded with a full-sized big band led by arrangers Jan Menu and Johan Plomp, the production captures a grand, classic sound that Fygi had long desired to capture on record. Frequently sought in FLAC (Free Lossless Audio Codec)
to preserve the rich, audiophile-grade detail of the big band arrangements. Mandarin Special:
The album includes a unique Mandarin-language bonus track, " Rose, Rose, I Love You Tracklist Highlights
The album delivers 13 tracks that blend smooth vocal jazz with high-energy big band swing. The Best Is Yet To Come (Title Track)
– A reimagined, softer version of the Charlie Chaplin classic. Too Darn Hot Laura Fygi - The Best Is Yet To Come -FLAC- -2011-
– Features a scorching brass section inspired by the style of Buddy Rich. I've Got A Crush On You This Can't Be Love Cheek To Cheek
– Distinctly re-imagined as a "three-alarm blaze" rather than a simple Peggy Lee imitation. That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Mandarin Bonus Track) Why It's a Must-Listen
Reviewers highlight Fygi's ability to maintain her "feisty sense of self-reliance" while swinging easily through these grand arrangements. Her voice, often compared to Julie London
for its smoldering intensity, takes on a broader range in this big-band setting, making it a standout for fans of traditional vocal jazz and high-fidelity recordings. Further Exploration
Read a professional review of the album's vocal style and arrangements at View the full release credits and track durations on
Explore Laura Fygi's thoughts on the "storytelling" aspect of these songs on Amazon Music Laura Fygi's other jazz collaborations or where you can find her live performances Laura Fygi: The Best Is Yet to Come - JazzTimes
The Best Is Yet To Come is the 12th studio album by Dutch jazz vocalist Laura Fygi
, released in February 2011 to celebrate her 20th anniversary as a solo artist. This project marks a significant milestone in her career as her first recorded session featuring a full-sized big band. Album Overview
Produced and arranged by her long-time collaborators Jan Menu and Johan Plomp, the album finds Fygi interpreting a selection of classics from the Great American Songbook. She chose songs originally made famous by her idols, including Frank Sinatra, Tony Bennett, and Julie London, focusing on tracks that allowed her to showcase her "storyteller" vocal style. The album was released through T2 Entertainment in the Netherlands and Universal Music
in Taiwan, where it included a Mandarin-language bonus track. Amazon.com You can find "The Best Is Yet To
The standard release contains 12 tracks, while regional editions often include a 13th bonus track. Apple Music The Best Is Yet To Come Too Darn Hot I've Got A Crush On You This Can't Be Love Cheek To Cheek That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Mandarin Bonus Track) Amazon.com Critical Reception
Critics praised the album for its lush production and Fygi's "velvety" vocal delivery.
noted that the big band setting allowed her to "swing easy" while maintaining her signature intimacy. Particular highlights mentioned by reviewers include the "scorching" brass line on "Too Darn Hot" and the reimagined, slow-burn version of "Fever". or more details on Laura Fygi's discography Laura Fygi: The Best Is Yet to Come - JazzTimes
Released in 2011, "The Best Is Yet to Come" is the 12th studio album by Dutch jazz vocalist Laura Fygi. It is a landmark release in her career, marking the 20th anniversary of her solo debut and serving as her first-ever session recorded with a full-sized big band. Album Overview Laura Fygi – The Best Is Yet To Come - Discogs
Headline: Sophistication in High Fidelity: Revisiting Laura Fygi’s 2011 Masterpiece, The Best Is Yet To Come
In the vast landscape of audiophile jazz and pop, few names command as much respect for sheer sonic elegance as Laura Fygi. For decades, the Dutch singer has been a benchmark for vocal clarity and stylistic grace. But in 2011, she released a project that served as both a summation of her career and a masterclass in audio engineering. Titled The Best Is Yet To Come, the album remains a coveted item for collectors, particularly those hunting the lossless FLAC version that does justice to its pristine production.
A Dutch Diva’s American Heart
Laura Fygi occupies a unique space in music. Born in Amsterdam to a Dutch father and an Egyptian mother, she rose to prominence in the 1980s with the girl group Centerfold before pivoting to a solo career defined by jazz standards and sophisticated pop. By 2011, she was already an icon in the Asian market (particularly in Japan and China) and a darling of the hi-fi community in Europe.
The Best Is Yet To Come was not just another album in her discography; it was a statement. Released during a period where the music industry was aggressively pivoting to compressed, digital streaming, this album was a love letter to the golden age of recording. It was engineered for the discerning ear—specifically, the audiophile.
The Audiophile’s Dream: Why FLAC Matters Here The Best Is Yet To Come (2011) in
The specific interest in the FLAC (Free Lossless Audio Codec) version of this 2011 release is not trivial. To listen to this album in MP3 format is to see a masterpiece painting through a smudged window. Fygi’s voice is famously intimate; she possesses a technique that allows her to whisper and belt with equal clarity, creating a "presence" in the recording studio that engineers strive to capture.
In the FLAC format, the 2011 release offers a dynamic range that breathes. The stand-up bass doesn't just sound like a note; it sounds like wood and vibrating strings. The brushwork on the snare drum has texture. When Fygi sings the title track, a classic associated with Frank Sinatra, the lossless audio captures the air in the room and the subtle resonance of her vocal cords. For audiophiles, this album is often used as a "reference track" to test speaker quality—specifically the separation of mid-range frequencies where the human voice lives.
The Song Selection: Familiar Yet Fresh
The tracklist of The Best Is Yet To Come reads like a primer on the Great American Songbook, but Fygi approaches these standards with a European sense of cool.
She tackles "Come Fly With Me" with a lightness that contrasts Sinatra’s swinging bravado, offering a sense of invitation rather than command. On "Smile," the Charlie Chaplin classic, she strips away the orchestration to let the melody's inherent melancholy shine through.
However, the standout moment on the album—and arguably the reason it remains a staple in high-fidelity demo rooms—is her rendition of "That's Life." She reinvents the normally gritty, bluesy anthem into a sophisticated, upbeat bossa nova-influenced arrangement. It is a stroke of genius that only Fygi could pull off, proving that a song can be reimagined without losing its soul.
The 2011 Context
The year 2011 was an interesting time for Fygi. Having sold millions of records worldwide, she had the artistic freedom to record exactly what she wanted. This album felt like a passion project. It wasn't chasing trends; it was cementing a legacy. The production is lush but never crowded, allowing the "air" around the instruments to remain audible—a hallmark of quality jazz recording.
The Verdict
The Best Is Yet To Come stands as one of the pillars of Laura Fygi's extensive catalog. It represents the intersection of technical perfection and emotional storytelling. While the pop charts of 2011 were dominated by auto-tune and electronic beats, Fygi was preserving the art of natural acoustics.
For music lovers, finding the FLAC version of this album is akin to finding a rare vintage wine. It is an experience that demands you sit down, turn off the lights, and let the sound wash over you. It reminds us that in an era of disposable digital noise, true artistry—and the best listening experiences—are indeed yet to come.