Topic: Why entertainment criticism is dead.
Shot in one take, outside a shuttered movie theater. She argues that objectivity was a lie sold by ad departments. She names three outlets she’ll never write for again. Then she cries, laughs, and quotes Hunter S. Thompson.

To visualize this, consider a hypothetical breakout hit: The Charlotte Gauntlet.

This video receives 5 million views in a week. Not because of high production value, but because of its raw, terrifying, hilarious humanity. That is the promise of Gonzo Charlotte Angie Entertainment and Media Content.

Angie screaming over a car stereo. Charlotte whispering: “She’s reviewing the new Marvel movie. She hasn’t seen it.”

Gonzo Charlotte Angie Entertainment and Media Content is not designed for network television. It thrives in the liminal spaces of the internet. Here is where you will find it:

Two rogue media provocateurs — Charlotte (the sharp analyst) and Angie (the chaotic performer) — plunge headfirst into the underbelly of entertainment, politics, and digital culture, filing only one kind of story: the truth as they feel it, not as it’s reported.