Let’s convert a simple 4-note MIDI phrase into bytebeat manually.
The MIDI phrase: C4 (261 Hz) for 1 sec, D4 (293 Hz) for 1 sec, E4 (329 Hz) for 1 sec, rest for 1 sec. Sample rate: 8000 Hz (simpler for math).
Step 1: Define the time boundaries.
Step 2: Translate frequency to bytebeat oscillation.
A simple square wave at frequency f is: (t * f) & 128
For C4 (f=261): (t * 261) & 128
Step 3: Build the ternary logic.
(t < 8000 ? (t*261)&128 : (t < 16000 ? (t*293)&128 : (t < 24000 ? (t*329)&128 : 0))) midi to bytebeat work
Step 4: Compress the equation using shifts.
Instead of *261, use bit shifts. t * 256 is t<<8. Since 261 is close to 256, we can approximate: (t<<8) + (t>>2).
Final compressed formula:
(t<8000?((t<<8)+(t>>2))&128:(t<16000?((t<<8)+(t>>4))&128:(t<24000?((t<<9)-(t>>3))&128:0)))
Congratulations. You have just performed MIDI to Bytebeat work. The result is crunchy, lo-fi, and utterly unique.
If you want, provide a short MIDI clip (or tell me tempo and 8–16 MIDI notes) and I’ll produce a ready-to-run bytebeat JS snippet based on it.
(End)
Let’s assume you have a simple melody in your DAW and you want to turn it into a Bytebeat track. Here is the actual pipeline:
There is no single "convert" button. The community has developed three primary methodologies for this conversion.
Let’s say your MIDI had a simple bassline:
The converter might produce:
((t>>13)&1)*((t*(4+((t>>11)&3)))&128) | ((t>>14)&1)*((t*6)&255) Let’s convert a simple 4-note MIDI phrase into
The first term is the kick (the (t>>13)&1 creates a low-frequency pulse). The second term is the bass. Notice the &128 vs &255—that’s the converter preserving the different velocities (kick is loud, bass is quiet).
When you paste this into a live Bytebeat player (like the one on Greasemonkey or Wurstcaptor), you aren't playing the song. You are solving the song. Each sample is a new answer to the equation.
To understand the conversion, you must first understand the fundamental differences in how these systems represent time and pitch.