The Building Season 13 Webd Exclusive — Only Murders In

Thanks to a Season 12 finale cliffhanger where Mabel inherits a tech startup, the trio will use “holographic reenactments” to walk through the Arconia as it looked 100 years ago. Expect cameos from digital de-aging technology—and a guest appearance by a legendary silent film star (rumored to be a CGI-assisted recreation of a Golden Age icon).

If you haven't watched since Season 4, here is where our trio stands in Season 13:

Mabel Mora: She has run out of relatives to mourn. She is now the owner of the Arconia (yes, she bought it). Her style has evolved from "cozy chic" to "billionaire hermit."

Oliver Putnam: Still producing. He is now adapting the podcast into an interactive immersive theater experience.

Unlike previous seasons where the victim was a neighbor or a guest star, Season 13’s victim is Uma Heller (played by Jackie Hoffman). Now 92 years old, Uma was the last original Arconia tenant still living in the building. She is found dead inside the sealed-off, never-used Sub-Basement Level 4, a forgotten floor that was walled off after a fire in 1972. only murders in the building season 13 webd exclusive

By A. Reviewer | WEBD Originals

NEW YORK – In a shocking move that has rocked the streaming world, Hulu and WEBD have announced a joint production deal for the thirteenth season of the Emmy-winning hit Only Murders in the Building. While fans are still reeling from the killer cliffhanger of Season 12 (RIP to the elevator inspector), the newly released plot details for Season 13 promise to be the most ambitious—and meta—chapter yet. Thanks to a Season 12 finale cliffhanger where

WebD Exclusive: Everything you need to know before the bodies drop.

By Season 13, the formula you love has evolved. Charles-Haden Savage is now a legacy icon, Mabel Mora is a true crime mogul, and Oliver Putnam is... well, Oliver is still Oliver. Here is how to navigate the latest chapter of the podcast. Mabel Mora: She has run out of relatives to mourn

The “WebD” version isn’t just a release strategy—it’s baked into the plot. Throughout the season, characters break the fourth wall to address “WebD viewers” directly, offering alternate clues hidden in the corner of the screen (QR codes leading to bonus evidence, fake social media accounts for suspects, and even a playable mini-game where you can rearrange Mabel’s corkboard). One episode is entirely interactive: you choose which suspect’s apartment to search, and the WebD algorithm tailors the ending.