| Aspect | Official Synthogy Ivory II | Kontakt 5.03 LiBRARY version | |--------|----------------------------|-------------------------------| | Velocity layers | 40+ (full) | Often reduced or partially mapped due to Kontakt scripting limits | | Resonance | Advanced modeling | Basic Kontakt script resonance (not authentic) | | Playability | Excellent for classical/jazz | Good, but lacks dynamic nuance of original | | Sample fidelity | 24-bit, untouched | Depends on converter quality – often 16-bit downsampled | | CPU/RAM | Efficient (proprietary engine) | High – Kontakt streaming not optimized for 40+ layers |
Verdict on sound:
The Kontakt conversion still sounds good – the samples themselves are top-tier. However, you lose the “intelligence” of the original engine. The piano will feel less responsive, especially in fast legato runs or subtle half-pedaling. Synthogy Ivory Grand Pianos II KONTAKT 5.03 LiBRARY
The crown jewel of the collection. The Steinway D is synonymous with the concert stage. Synthogy’s sampling captures the massive dynamic range, the thunderous bass, and the singing sustain of this instrument. It is the go-to choice for romantic ballads, cinematic scores, and solo piano works that require a commanding presence. | Aspect | Official Synthogy Ivory II | Kontakt 5
Because this is a legacy product (often discontinued in favor of the standalone "Ivory 3"), you may find license transfers on marketplaces like Knobcloud or VI-Control. Always ensure you receive the original installer and serial number. Piracy of this library is rampant, but infected NKI files can brick your Kontakt database. This library is often mistaken for Synthogy’s own
This library is often mistaken for Synthogy’s own "Ivory II Grand Pianos." The key difference is the engine: The Kontakt version leverages NI’s scripting and effect architecture, while the standalone uses Synthogy’s proprietary DSP. Many power users prefer the Kontakt version for its routing flexibility and third-party script integration.
Slightly smaller than the D (at roughly 7 feet), the German B is the composer’s secret weapon. It is more focused and less boomy than the D. It sits perfectly in a rock mix or a pop ballad. Using the Synthogy Ivory Grand Pianos II KONTAKT 5.03 LiBRARY for a singer-songwriter track, the German B provides warmth without muddiness.