If the MOCA exhibition was the intellectual proof of Tom’s arrival, the theatrical release of the Finnish biopic Tom of Finland (directed by Dome Karukoski) in 2017 was the emotional proof.
The film was a masterclass in timing. Released in a year dominated by debates over toxic masculinity (the #MeToo movement was erupting in October 2017), the biopic presented a quiet, almost shy man who created an army of hyper-masculine saviors. The film’s central irony was not lost on 2017 audiences: The real Touko Laaksonen was a gentle, chain-smoking introvert who loved Frank Sinatra and his partner, Veli. He was not a leather-clad dominator; he was an artist who lived with his mother until she died.
The biopic showed how Tom’s style was born from trauma. As a young man, he had served as an anti-aircraft officer in WWII, forced to kill Soviet soldiers. The horror of that experience, the film suggested, was sublimated into his art. He spent the rest of his life replacing guns with bulges, replacing the violence of war with the consensual power of sex.
By bringing this story to international multiplexes (and later to streaming services), 2017 introduced Tom of Finland to a generation of queer kids who had never seen a physical copy of Daddy or Physique Pictorial. For them, he wasn't a dirty secret—he was a folk hero.
In 2017, the life of Touko Laaksonen was brought to the global stage through the biographical drama Tom of Finland
, directed by Dome Karukoski. This acclaimed film chronicles Laaksonen's journey from a decorated WWII officer to a pioneering artist whose hypermasculine homoerotic drawings became a cornerstone of the 20th-century gay liberation movement. Key Film Details Director: Dome Karukoski
Main Cast: Pekka Strang as Touko Laaksonen (Tom of Finland), Lauri Tilkanen as Veli (Nipa), and Jessica Grabowsky as Kaija
Premiere & Release: Debuted at the Gothenburg Film Festival on January 27, 2017, followed by a theatrical release in Finland on February 24, 2017
US Release: Premiered in select theaters on October 13, 2017, distributed by Kino Lorber
Accolades: Selected as the Finnish entry for Best Foreign Language Film at the 90th Academy Awards and won the FIPRESCI Prize at Gothenburg Narrative Arc
The film explores the "man behind the leather," starting with his service in WWII, where he first began sketching men from his platoon. It depicts the oppressive atmosphere of 1950s Helsinki, where homosexuality was criminalized, forcing Laaksonen to lead a secret life of clandestine encounters and private artistic expression. Crucial plot points include:
Artistic Awakening: How his wartime experiences and subsequent persecution fueled his art as a form of "liberation" and "joy".
Personal Connection: His enduring relationship with dancer Veli (Nipa), which provided emotional stability amidst societal repression.
International Breakthrough: His move toward publishing in the United States, where his work—originally submitted to magazines like Physique Pictorial—eventually fostered a "gay revolution" in California during the 1970s. 10 June 2025 - Press | Phillips tom of finland -2017-
Perhaps the most surreal development of 2017 was the complete mainstream commercialization of the Tom of Finland aesthetic. You couldn't walk through a "hipster" neighborhood in Brooklyn, Shoreditch, or Berlin without seeing the iconic profile of a man in a cowboy hat.
In 2017, Tom of Finland’s art appeared on:
This paradox was dizzying. The man who was arrested on obscenity charges in the 1960s for "depicting lascivious acts" was now the logo for a $750 leather jacket. 2017 asked a hard question: Is this victory? Or is this the co-opting of a revolutionary by the very capitalist machine he lived outside of?
For many older gay men watching this happen in real-time in 2017, the feeling was one of vertigo. They remembered the days when buying a Tom of Finland calendar meant going to a grimy adult bookstore and paying in cash to avoid a paper trail. Now, a teenager in Idaho could buy a Tom of Finland phone case from Amazon in two clicks.
The 2017 film is not just a biography of an artist; it is a history lesson on the evolution of gay rights, the power of fantasy as a tool for survival, and the journey of an outsider who changed the way the world looks at masculinity.
TOM OF FINLAND (director: Dome Karukoski)
I. The Sketchbook as a Weapon
It is difficult to overstate the cultural distance between the world we live in now—where "thirst traps" are a standard currency of social media and queer visibility is (in some parts of the world) at an all-time high—and the Finland of the 1950s. It was a grim, gray place, scarred by war and defined by a suffocating, conformist silence. This is where Tom of Finland (2017), the biopic directed by Dome Karukoski, begins: in silence.
The film introduces us to Touko Laaksonen (Pekka Strang), a man who moves through the post-WWII landscape like a ghost. He is an advertising executive, a lieutenant, a respectable citizen. But he is carrying a secret that is not just illicit, but dangerous. In this era, homosexuality was not merely a taboo; it was a crime, a sickness, a deviance. The opening act of the film is draped in shadows, both literal and metaphororical. We see Touko cruising in parks where the threat of violence—or police entrapment—hangs heavy in the cold air.
But the film’s central thesis arrives quickly: Touko has an escape. He draws.
II. The Birth of an Icon
The transition from Touko Laaksonen to "Tom of Finland" is the film’s core narrative engine, and Pekka Strang plays it with a delicate mix of exhaustion and exhilaration. The film posits that Tom was not a separate personality, but a necessary armor. When Touko draws, the camera lingers on the ink hitting the paper. The lines are confident, bold, and black. He draws what he cannot have in the real world.
In reality, Touko is a man who fears for his safety, glancing over his shoulder in dark alleys. On paper, his men are fearless. They are hyper-masculine, muscular, mustachioed giants clad in leather and denim. They are unapologetic. The film argues that Tom of Finland’s art was not just pornography; it was a corrective measure against a world that wanted to shame queer men into invisibility. By drawing men who were the apex of masculinity—soldiers, bikemen, lumberjacks—Touko reclaimed the very symbols of power that had been used to oppress him. If the MOCA exhibition was the intellectual proof
There is a pivotal moment in the film where Touko shows his work to a potential lover. The man recoils, calling the drawings "ugly" and "monstrous." This scene cuts to the heart of the internalized homophobia of the time. Touko, however, persists. He sends his drawings to American physique magazines under the pseudonym "Tom." When the editor writes back, "Love the drawings, but lose the shirt," the emancipation begins.
III. The American Dream and the "Tom" Effect
As the timeline shifts to the 1960s and 70s, the film’s palette warms up, mirroring the sexual revolution. The Finland of the film remains somewhat stoic and cold, but Touko’s world expands through his mail correspondence with Los Angeles.
The film depicts the iconic friendship between Touko and Doug (played by a warm, grounded Werner Daehn), a man he meets at a beach. Their relationship serves as the emotional anchor. Through Doug and the burgeoning leather scene in the US, Touko finds an audience. The film wisely chooses to show the impact of his work through montage: soldiers in Vietnam pinning his drawings on their lockers, leather bars in San Francisco using his imagery as a uniform code.
Karukoski
The 2017 biographical film Tom of Finland, directed by Dome Karukoski, offers a sweeping look at the life of Touko Laaksonen, the artist who revolutionized gay culture with his hyper-masculine, leather-clad illustrations. Spanning over 40 years, the film traces Laaksonen’s journey from a decorated soldier in World War II to a global underground icon who ultimately fanned the flames of the gay liberation movement. Plot and Historical Context
The movie begins with Laaksonen (played by Pekka Strang) returning to a repressive post-war Helsinki after serving as a second lieutenant in WWII. In a society where homosexuality was a criminal offense punishable by shame and imprisonment, Laaksonen found refuge in drawing stylized, muscular men—a stark contrast to the "effeminate" stereotypes often imposed on gay men at the time.
Key historical and narrative milestones in the film include:
Tom of Finland review – intriguing biopic of a gay liberation hero
Tom of Finland (2017) an award-winning biographical drama directed by Dome Karukoski
that chronicles the life of Touko Laaksonen, the artist behind the iconic homoerotic drawings that shaped 20th-century gay culture
. The film explores his journey from a decorated World War II officer to a global symbol of gay liberation. Plot Overview & Historical Context
The movie follows Touko’s life across several decades, capturing his transformation from a repressed veteran to an internationally celebrated artist. Reeling Reviews Tom of Finland (2017) Perhaps the most surreal development of 2017 was
The Touko Laaksonen Story: Why Tom of Finland (2017) is Essential Viewing In 2017, the biographical drama Tom of Finland
brought the secret life of Touko Laaksonen to the big screen. Directed by Dome Karukoski, the film doesn't just chronicle the life of an artist; it traces the evolution of a cultural revolution that transformed the global gay aesthetic. From the Front Lines to the Drawing Board
The film begins in the stark, dangerous reality of World War II. Touko Laaksonen, a decorated officer in the Finnish Army, finds himself in a world of hyper-masculinity that is both oppressive and deeply inspiring.
Returning to a post-war Helsinki where homosexuality was criminalized and "shunned," Touko lived a double life. By day, he was a commercial artist; by night, he retreated to his room to draw the "beefy lumberjacks," "saucy sailors," and square-jawed bikers that would eventually make him famous. Beyond the "Obscene"
What the 2017 film captures so beautifully is the defiant joy in Tom's work. At a time when the mainstream view of gay men was often one of tragedy or effeminacy, Tom drew men who were: Strong and Unapologetic : His subjects exuded pride and camradarie without guilt. Hyper-Masculine
: He subverted traditional heterosexual roles—cops, cowboys, and military personnel—to create a new, empowering identity for the gay scene. Liberating
: His art served as a "visual herald" for the modern Gay rights movement, proving that pride could be found in the very archetypes used to exclude them. A Legacy That Won't Fade The movie highlights the critical role of Durk Dehner , who helped Touko establish the Tom of Finland Foundation
in 1984 to archive and protect his work from being lost or pirated.
Today, Tom's influence is everywhere—from high-fashion runways to Finnish postage stamps and official state exhibitions. As the film reminds us, Tom of Finland didn't just draw pictures; he "stood up to hatred by articulating its opposite"—pure, unadulterated joy.
Learning More about the Context and “Industry” | by Alison McKeown
The following article explores the life and legacy of Touko Laaksonen , better known as Tom of Finland
, with a focus on his cultural impact and the biographical film released in 2017. The Man Behind the Muscle: The Legacy of Tom of Finland
Tom of Finland (born Touko Laaksonen, 1920–1991) is recognized as one of the most influential artists of the 20th century for his groundbreaking depictions of the male figure and his profound impact on gay culture and liberation. 1. From Secret Drawings to Global Icon
Born in Kaarina, Finland, Laaksonen began drawing as a child, inspired by the rugged masculinity of local laborers. During World War II, he served as a lieutenant in the Finnish army, an experience that influenced his later work featuring men in uniform. Morally Erect - Lux Magazine
One of the most compelling aspects of the film is the juxtaposition between Touko Laaksonen (the man) and Tom of Finland (the persona).