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Why is entertainment content and popular media so addictive? The answer lies in neuroscience. Every like, comment, and auto-played video triggers a small release of dopamine—the neurotransmitter associated with reward and anticipation. The platforms are engineered by behavioral psychologists using "variable ratio schedules" (the same principle behind slot machines). You refresh your feed because maybe the next post will be the brilliant, funny, or shocking one.
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For most of modern history, "popular media" was a synonym for "American entertainment." That hegemony is eroding. While Hollywood remains a powerhouse, the most exciting and economically significant entertainment content is now coming from non-English markets. Why is entertainment content and popular media so addictive
This globalization means that a teenager in Ohio might go to bed watching a Japanese anime (Jujutsu Kaisen), listening to a Nigerian Afrobeats artist (Burna Boy), and learning a dance from a Colombian influencer. The new popular media is polyglot. This globalization means that a teenager in Ohio
Old guard institutions—Hollywood studios, record labels, cable news—are scrambling. They are no longer gatekeepers; they are suppliers to the platforms. Warner Bros. releases movies simultaneously in theaters and on Max. NBC puts episodes on Peacock the next day. The album as a format is dying in favor of playlists. The newspaper is morphing into a Substack newsletter and a TikTok explainer.