Yes - Close To The Edge -2013- -flac 24-192- May 2026
The ultimate test. The frantic guitar/bass interplay and Bill Bruford’s jazz-influenced drumming require high resolution to decode. On the 192 kHz sampling rate, the transient attack of Bruford’s hi-hat and snare rimshots is razor-sharp but natural. The complex stereo panning of the backing vocals (the “To be able to love...” round) is vividly disentangled. In lower resolutions, this section turns into a wall of noise. In 24-192, it is a kaleidoscopic ballet.
Note: this write-up treats the request as a detailed examination of the 2013 high-resolution 24‑bit/192 kHz FLAC release of Yes’s album Close to the Edge. I assume you mean the official 2013 remaster / high-resolution release commonly distributed in lossless 24/192 format. If you meant a different edition or a fan remaster, say so and I will adjust.
If you want a deeper dive—liner-note transcription from the 2013 edition, exact mastering credits, waveform/SNR measurements, or an A/B blind test protocol—say which of those and I’ll produce it.
The Yes - Close To The Edge - 2013 - FLAC 24-192 refers to a specific high-resolution digital version of the seminal 1972 progressive rock masterpiece, primarily sourced from the 2013 "Definitive Edition" reissue on Panegyric Recordings. This release is celebrated for featuring brand-new stereo and 5.1 surround mixes by Steven Wilson, as well as ultra-high-resolution transfers of the original production. Technical Breakdown
This specific 24-bit / 192kHz FLAC typically originates from the Blu-ray component of the 2013 set, which contained multiple audio streams:
Original 1972 Stereo Mix (24/192): A "flat transfer" from the original master tapes with no additional EQ, providing the most authentic digital representation of the original Eddy Offord production.
Steven Wilson 2013 Stereo Mix (24/96): While the Wilson remixes are often provided at 96kHz, some high-res storefronts like ProStudioMasters offer a 192kHz version.
Instrumental Mixes: The set included Wilson’s new stereo mixes without vocals, allowing for deep focus on the complex interplay between Wakeman, Howe, Squire, and Bruford. Key Features of the 2013 Edition
Unrivaled Clarity: Steven Wilson’s remix is widely praised by Discogs reviewers for better instrument separation, particularly bringing Rick Wakeman’s keyboards more forward and tightening Chris Squire’s famously "growly" Rickenbacker bass.
Bonus Tracks: Includes the full-length version of "America" (Simon & Garfunkel cover) and previously unreleased "Early Assembly" or rough mixes of the title track.
Spatial Integrity: For those with the full physical set, the 5.1 DTS-HD Master Audio is considered a benchmark for surround sound, specifically the "I Get Up, I Get Down" section with its soaring church organ. Performance Summary
The 2013 definitive edition of Yes's Close to the Edge represents a major milestone for audiophiles, as it was the first in a series of expanded editions to feature new high-resolution mixes. While various digital versions exist, the FLAC 24-bit / 192 kHz format is specifically associated with the "Flat Transfer" of the original 1972 master tape. High-Resolution Audio Specs
The 2013 release, spearheaded by Steven Wilson, offered multiple audio configurations across Blu-ray and digital download:
Original 1972 Stereo Mix: Transferred directly from the original analogue master tape at 24-bit / 192 kHz with no additional EQ or compression.
Steven Wilson 2013 Stereo Remix: Typically presented at 24-bit / 96 kHz to match the resolution of the multitrack source tapes.
5.1 Surround Sound: Available in DTS-HD Master Audio at 24-bit / 96 kHz.
Bonus Content: Includes the single version of "America" at 24/192 and high-resolution instrumental versions.
The 2013 FLAC 24/192 edition of Close to the Edge is the definitive digital version for audiophiles and Yes fans who want the highest possible fidelity from the original analog tapes. If you have the playback equipment to resolve the extra detail, it offers a stunning, immersive listening experience — especially on the title track’s layered instrumental sections and "And You and I"’s acoustic guitar and vocal harmonies. For casual listeners, the standard CD or 16-bit FLAC may suffice, but for archiving or critical listening, this 24/192 release is top-tier.
The Definitive High-Resolution Audit: Yes – Close To The Edge (2013 Steven Wilson Remix) The 2013 release of Close To The Edge
in FLAC 24-bit/192kHz format represents a landmark intersection of 1970s progressive rock peak performance and modern digital restoration technology. This specific edition, part of the "Definitive Edition" series, features a meticulously crafted remix by Steven Wilson
(of Porcupine Tree), widely regarded as the premier architect of classic rock surround-sound and stereo archival projects. Technical Specifications & Formats
The "FLAC 24-192" designation refers to two distinct components of the 2013 high-resolution package: Original Stereo Mix (Flat Transfer): The 24-bit / 192kHz files are typically flat transfers Yes - Close To The Edge -2013- -FLAC 24-192-
from the original 1972 master tapes. This provides the most authentic representation of the original production by Eddy Offord, preserved without modern EQ or compression. Steven Wilson 2013 Stereo Remix:
While the Blu-ray contains these mixes, they are often presented at 24-bit / 96kHz
for the new stereo and 5.1 surround versions. These remixes utilize the original multitrack recordings to uncover instrumental details previously buried in the original 1972 mix. Dynamic Range:
High-resolution FLAC files allow for a much higher dynamic range and frequency response than standard CDs, which is critical for the "I Get Up, I Get Down" section’s transition from delicate pipe organ to full-band crescendo. Daily Vault The Steven Wilson Intervention
Steven Wilson’s 2013 remix aimed to polish the "family silver" rather than reinvent it. Key improvements noted by audiophiles include: Daily Vault Bass Clarity:
Chris Squire’s Rickenbacker bass, which sometimes sounded "bloated" in previous masters, was brought under tighter control, allowing for greater punch without overwhelming the soundstage. Instrumental Separation:
Listeners can more clearly distinguish the interplay between Steve Howe's visceral guitar attacks and Rick Wakeman's lush keyboard textures. Atmospheric Detail:
In the title track’s quiet interludes, the sound of dripping water and ambient textures achieve a "near-tactile" realism in the high-bitrate environment. Historical Significance of the Work Originally released on September 13, 1972, Close To The Edge
is considered the "zenith of symphonic ambitions" for the band.
Yes - Close To The Edge - 2013 (FLAC 24-192) release is a highly regarded audiophile edition, primarily known for being the first entry in the band's "Definitive Edition" series remixed by Steven Wilson Key Technical Specifications Resolution: 24-bit / 192kHz (and 24-bit / 96kHz for specific mixes). Primary Format:
FLAC (audiophile downloads) and LPCM (on Blu-ray/DVD-A physical media).
Remixed from original multitrack tapes and flat transfers from the original master tape. ProStudioMasters Version Breakdown
The 2013 high-resolution files typically offer three distinct ways to experience the album: Original Stereo Mix (24-192):
A high-resolution flat transfer from the original 1972 master tape, preserving the original sound with maximum clarity. 2013 Stereo Remix (24-96):
Remixed by Steven Wilson to bring out individual instrumental and vocal clarity while staying faithful to the original spirit. 5.1 Surround Mix (24-96):
Available on the Blu-ray and DVD-A physical versions, also handled by Wilson, providing a greater sense of space. Additional Content in the 2013 Series
Digital and physical versions from this 2013 release often include high-resolution bonus material: Instrumental Versions: 24-bit / 96kHz stereo instrumental mixes of the full album. Bonus Tracks:
New mixes of "America" and early rough assemblies of the title track. UK Vinyl Transfer:
A 24-bit / 96kHz "needle-drop" transfer of an original A1/B1 UK vinyl pressing. Artwork & Notes:
The physical editions included a 20-page booklet with new liner notes by Sid Smith and unreleased Roger Dean artwork.
This version is widely considered the definitive way to listen to the album due to its use of high-resolution digital transfers from analogue sources and the meticulous remixing by Steven Wilson. You can find these high-resolution downloads on sites like ProStudioMasters to the more recent 2025 Super Deluxe Edition The ultimate test
The 2013 high-definition remaster of Yes’s 1972 masterpiece, Close to the Edge, remains the gold standard for audiophiles. Presented in FLAC 24-bit/192kHz, this version—meticulously helmed by Steven Wilson—breathes new life into what many consider the pinnacle of progressive rock. 💎 The Technical Edge: Why 24-bit/192kHz?
For a record as dense as Close to the Edge, the resolution matters. The jump from standard CD quality to 24-192 provides:
Expanded Dynamic Range: Subtle acoustic passages don't get lost next to thunderous organ swells.
Zero Compression: The FLAC format preserves every bit of the original master tape's detail.
Instrument Separation: You can finally "place" Steve Howe’s sitar-guitar and Chris Squire’s Rickenbacker in a distinct 3D soundstage. 🎹 The Steven Wilson Magic
In 2013, Steven Wilson was tasked with remixing the original multi-track tapes. His approach was surgical yet respectful. Sonic Improvements
The Title Track: The chaotic "Seasons of Man" section feels less cluttered, allowing Rick Wakeman’s rapid-fire keys to shine.
"And You and I": The 12-string acoustic guitars have a crystalline shimmer that was previously muffled in older digital transfers.
"Siberian Khatru": The interplay between the dual guitar leads and the driving percussion is punchier and more aggressive. 🌊 A Deep Dive into the Experience
Listening to this 192kHz file is less like hearing a record and more like sitting in Advision Studios in 1972. The Low End
Chris Squire’s bass is the heart of Yes. In this high-res format, the "growl" of his tone has a physical weight. It anchors the complex time signatures without overwhelming the mix. The Vocal Harmony
Jon Anderson, Steve Howe, and Chris Squire’s three-part harmonies are legendary. At 24-bit resolution, the individual textures of their voices are distinguishable, creating a lush, choral effect that feels organic. 🛠️ Requirements for the Best Listen
To truly appreciate the 2013 FLAC 24-192 files, your hardware must be up to the task:
DAC (Digital-to-Analog Converter): Needs to support 192kHz sampling rates.
Studio Headphones or Monitors: Look for "neutral" signatures to hear the remix as Wilson intended.
Media Player: Use software like Foobar2000, Roon, or VLC that handles bit-perfect playback. 🎯 Verdict: Is it Worth the Space?
Close to the Edge is an album of layers. The 2013 24-192 FLAC version unpeels those layers better than any vinyl or CD pressing before it. It is an essential acquisition for anyone who values the intersection of musical genius and technical perfection.
If you're looking to dive deeper into this release, I can help you: Compare the 2013 remix to the original 1972 flat transfer. Find the best hardware to play high-res FLAC files.
Explore other Steven Wilson Yes remixes (like The Yes Album or Fragile). Which of these
Yes - Close to the Edge (2013 Steven Wilson Remix) High-Resolution Audio Feature: 24-bit / 192kHz FLAC The 2013 definitive edition of Yes’s 1972 masterpiece, Close to the Edge
, represents the pinnacle of progressive rock preservation. Remixed from the original multitrack tapes by Steven Wilson, this 24-bit/192kHz restoration provides a level of transparency that was previously impossible to achieve on vinyl or standard CD. 🔊 Technical Prowess Resolution: 24-bit depth offers 144dB of dynamic range. Limitations and caveats:
192kHz captures frequencies far beyond human hearing to eliminate aliasing. Sourced directly from the original 1972 analog masters.
Handled by Steven Wilson (King Crimson, Jethro Tull) for maximum tonal balance. 🎹 Sonic Highlights Spatial Separation:
In the title track, the chaotic "keyboard storm" intro is untangled, allowing Wakeman’s organ and Howe’s sitar-guitar to occupy distinct spaces. Low-End Definition:
Chris Squire’s Rickenbacker bass "growl" is tighter and more visceral, especially during the driving sections of "Siberian Khatru." Vocal Clarity:
Jon Anderson’s layered harmonies in "And You and I" lose the "mud" often found in older pressings, sounding breathy and immediate. Noise Floor:
The near-silent background allows the church organ solo in "I Get Up, I Get Down" to emerge with haunting, cathedral-like scale. 💿 Comparison: Original vs. 2013 192kHz Original 1972 Mix:
Warm, compressed, and iconic, but often suffers from "frequency crowding" in dense sections. 2013 Wilson Mix:
Expansive and surgical. It doesn't change the "soul" of the album but cleans the "lens" through which you hear it. FLAC 24/192:
Unlike the Blu-ray or DVD-A physical discs, this digital file offers the highest possible bit rate for local media servers without mechanical playback interference. 🛠️ Recommended Playback Path
To truly experience the 192kHz depth, ensure your signal chain is optimized: Must support native 192kHz decoding (avoid downsampling).
Use bit-perfect players like Roon, Audirvana, or Foobar2000.
Open-back headphones or full-range floor speakers to capture the massive soundstage. If you'd like, I can help you: Compare this to the 2023 Rhino High Fidelity track-by-track review focusing on specific instruments. best settings for your specific audio equipment to play FLAC files. Let me know which part of the listening experience you want to explore next!
Since you have a 24/192 FLAC file, do not convert it to MP3 if you want to keep the quality.
Close to the Edge is widely considered one of the greatest progressive rock albums ever made. The 2013 remaster (often done by Steven Wilson of Porcupine Tree) is praised for clarity.
Track 1: Close to the Edge (18:42)
Track 2: And You and I
Track 3: Siberian Khatru
The keyword is specific for a reason. You can find legitimate copies of this master on:
Warning: Many peer-to-peer sites will claim to have the "2013 24/192," but they often contain upsampled CD rips. A real 24/192 file will have a frequency spectrum extending beyond 22kHz (the Nyquist limit of CD). Verified spectral analysis of the legitimate 2013 release shows musical content reaching 48kHz.
If you listen to this on standard iPhone earbuds or laptop speakers, you will not hear the difference between this file and a standard MP3. To benefit from "24-192," you need:
Having the file “Yes - Close To The Edge -2013- -FLAC 24-192-” is only half the battle. To appreciate it:
